Asian Creative Architecture, Art and Design

Contemporary Painting : Falling in Love

2025-06-04T10:01:55+07:00

This article originates from an interest in the behavior of falling in love, which is a fundamental experience that can be encountered at any stage of life. We can fall in love with objects, people around us, pets, food, beautiful stories, or anything we come across. Love serves as a connection to relationships be it the love between parents and children, siblings, friends, or romantic partners. The experience of falling in love begins from birth. Children first recognize love through learning to give and receive affection from their caregivers, responding to and understanding those who love and care for them. What’s mentioned may seem like just fragments of memory, but when we explore deeper, love is not just about emotions and feelings. It also involves elements within the body chemicals in the brain, scientific principles, and psychological concepts.

The study aims to create a painting based on individual inspiration. The researcher conducted research and a literature review and developed a painting to understand the reasons behind falling in love, which is a fundamental aspect of daily life. This research investigated documents and the works of artists and developed a creative painting, which integrates and connects concepts, forms, shapes, color meanings, symbols, and semiotics in visual arts. Additionally, this research applied theories of love, psychology, science, and art to the study.

The results of the study and creative experimentation conclude that falling in love results from perception, which is divided into 2 categories. The first one is Physical perception, specifically sight, which is the most important sense because vision can bring about attraction and the onset of love. The second one is Emotional perception, which is the feeling that responds to emotions under thought. Hence, the approach to creating the painting of the researcher is the principles of Minimalism, a style that is easy to understand and not complex in composition but includes symbolic interpretation. The artwork also draws inspiration from the vibrant colors of Pop Art, which uses bold colors and symbolic reasoning through painting. Therefore, all of these resulted in the creation of a series of four painting sets, including 1) focusing on the use of materials, 2) emphasizing painting everyday objects, 3) focusing on using colors to compare emotions, and 4) highlighting the use of pink colors and heart shapes. From the study, the fourth set of paintings best answers the research question when compared to the other three experimental sets.

The research led to the following conclusions: 1) Visual and Technical Communication Factors. The researcher adopted the Minimalist art movement as the primary approach for visual communication. Minimalism, known for its clarity, simplicity, and directness, effectively conveyed the intended conceptual reasoning. This approach influenced the exploration of color techniques associated with generating positive emotional responses. As a result, the researcher became interested in integrating color palettes derived from Pop Art, a movement characterized by vibrant and emotionally engaging color schemes, into the painting process. A theoretical and conceptual analysis of both Minimalism and Pop Art revealed significant coherence between their visual languages and historical contexts, as both movements originated during the 1960s. Furthermore, the work of artists from these movements demonstrated stylistic and thematic relevance to the researcher’s own creative process, particularly regarding themes of love, which played a crucial role in the development of the fourth stage of the thesis project. 2) Color as a Creative Factor in Painting. The study identified color as a key element in conveying the narrative of falling in love. Among the color palettes analyzed, shades of pink were found to be the most effective in expressing themes of affection. Pink evokes a sense of tenderness, sweetness, and gentleness, and it symbolizes romantic relationships. Universally recognized as a representation of love, pink has long served as a color of emotional and symbolic significance in both historical and artistic contexts. 3) Symbolism, Form, and Metaphorical Representation through Everyday Objects. The use of realistic human-made objects was employed as metaphorical elements to reflect the logic of daily life. These familiar forms were integrated into the artwork to mirror lived experiences. Additionally, symbols commonly associated with love such as the heart shapes is considered a universal symbol, essentially serving as a sign of love. 4) Materiality in Artistic Creation. Materials played an important role in the creative process. Specifically, the use of acrylic sheets mounted on canvas was introduced as a way to enhance visual perception and depth. The study concluded that perception is a fundamental factor in the emotional experience of falling in love, and material choices in the artwork were designed to engage and stimulate this perceptual process.

Study of obstruction in usage of restrooms in nan hospital’s outpatient department in order to arrange appropriate facilities for elderly patients

2025-03-11T17:31:43+07:00

Nan Province has an elderly population proportion of 26.64%, prompting the provincial government to introduce the “Healthy City” policy as a model for developing public buildings with environments and facilities that are inclusive and suitable for everyone. As people age, their bodily functions deteriorate, leading most elderly individuals to suffer from chronic illnesses and require regular medical visits. This results in a high proportion of elderly patients in outpatient departments. Due to the typically long waiting times during hospital visits, elderly patients often need to use the restroom. However, mobility issues and balance problems common in this age group increase the risk of accidents enroute to the facilities. This study was therefore conducted to investigate the factors that create obstacles in restroom usage among elderly outpatients at Nan Hospital, in order to propose suitable facility arrangements aligned with the physical environment.

The objectives of this research were to identify the barriers elderly patients face in restroom use within the outpatient department and to recommend appropriate supportive facilities tailored to the needs of the elderly. The research question guiding the study was: "What are the appropriate design details for supportive facilities that accommodate restroom use for elderly patients in outpatient departments?" The study was based on the conceptual framework that age-related musculoskeletal degeneration contributes to balance issues. When combined with long walking distances and crowded spaces, these factors can increase the risk of restroom-related accidents. Providing suitable facilities can help mitigate these risks in crowded outpatient areas.

The research employed a mixed-methods approach, collecting both qualitative and quantitative data through a questionnaire administered to 285 elderly outpatients at Nan Hospital. The study was conducted in a natural setting without controlling environmental variables. Descriptive statistics, including frequency, percentage, and mean, were used for data analysis. Additionally, a chi-square statistical method was applied to examine the relationships between variables, leading to evidence-based recommendations for appropriate facility design.

The findings revealed two primary barriers to restroom use among elderly outpatients:
1) Insufficient number of restrooms, especially for women. The number of women's restrooms was half of the required standard, resulting in overcrowding due to the higher proportion of female users.
2) Excessive walking distance between waiting areas and restrooms. In some areas, elderly patients had to walk 67 to 62.00 meters, which is particularly problematic for individuals with mobility or balance issues. Inadequate signage and poor restroom visibility also contributed to confusion and increased risk of falls, especially considering the reduced walking speed among the elderly.

To address these challenges, it is recommended to install additional waiting seats or rest areas near restrooms. These would provide elderly patients a place to sit while waiting to use the facilities during peak times and help relieve muscle fatigue from prolonged standing or walking. Such measures enhance convenience and reduce fall risks. The seating should be robust, corrosion-resistant, moisture-resistant, capable of supporting weight safely, and designed to ensure user safety. Furthermore, walking paths should remain wide and unobstructed to accommodate safe movement.

Carbon Emission Analysis and Sustainable Website Development Practices in Thailand

2025-04-21T14:51:41+07:00

The rapid growth of information technology and the increasing use of websites in economic, social, and educational activities have caused a continuous rise in energy consumption within digital systems. This is especially true for websites that are not designed with resource efficiency and sustainable principles in mind. These trends have led to considerable levels of carbon dioxide emissions, which affect environmental stability.

This study focuses on two main goals. The first goal is to analyze and assess the environmental impact of the 100 most visited websites in Thailand. The second goal is to offer practical recommendations for creating websites that reduce negative effects on the environment.

A quantitative research method was used. The top 100 websites in Thailand were assessed using international tools such as Website Carbon Calculator and Ecoindex. These tools are well recognized in academic fields and helped measure several important factors. These include the amount of data transferred, the number of HTTP requests, the total size of each webpage, the complexity of website content, the location of hosting servers, the energy source used by the hosting providers, the use of content delivery networks, and the application of caching techniques.

The findings presented a cause for concern. Most websites showed a high level of carbon emissions. Sixty-four percent of the assessed websites received an F rating based on the Website Carbon Calculator, indicating the highest environmental impact. Data analysis revealed that the most efficient websites released only 0.21 grams of carbon dioxide per visit. In contrast, the least efficient websites emitted up to 26.62 grams per visit. When projected to 10,000 visits, the highest emitting websites could release over 266 kilograms of carbon dioxide. This amount equaled to what approximately 146 trees would need to absorb through photosynthesis to maintain carbon balance. Results from Ecoindex supported these findings. Eighty percent of the websites showed poor performance, especially in terms of page weight, request count, and website complexity.

Further analysis showed that many websites had an average of 189 HTTP requests per page. This number was far higher than the recommended range for sustainable web development. In comparison, websites with a lower environmental footprint had no more than 30 requests per page. Additional analysis found that oversized image files, uncompressed videos, and unnecessary or inefficient code were the main reasons for excessive data use and energy consumption.

An assessment of web hosting providers revealed mixed practices. About 53% of the websites used hosting services that support renewable energy or have certifications from organizations like the Green Web Foundation. However, the remaining 47% used hosting services that could not clearly verify their energy sources.

Based on this field study and a review of 34 academic articles published between 2016 and 2025, the researcher identified six key practices for sustainable website development. These practices include 1) choosing environmentally friendly hosting and content networks, 2) planning goals clearly during the development process, 3) designing websites for energy efficiency, 4) using technical development that reduces data load, 5) regularly monitoring performance, and 6) increasing awareness through support from the public sector.

This research highlights that even though sustainable web practices have been widely developed and disseminated globally, many challenges still exist in applying them in the Thai context. These include a lack of deep knowledge, low awareness at both the individual and organizational level, and limited support from national policy. Therefore, the study recommends that the government develop clear policy frameworks and encourage cooperation with private companies to support environmentally responsible website development. Such efforts are necessary for Thailand to move toward long-term sustainable development in a practical and effective way.

Healing Environment for Elders in the Public Health Center 54 Tadiam, Bangkok

2024-03-18T12:43:17+07:00

The Public Health Center 54 Tadiam provides primary medical and public health services in Bang Mot sub-district, Thung Khru district, Bangkok. The building has lasted for services for more than 37 years. The healing environment provided has not responded to utilization. It is not suitable for the healing. Therefore, improvement is required to facilitate the aging society. The objectives of this research were to assess the current environment and to investigate the opinions and demands of elders, elders’ relatives, and health center staff towards a physical healing environment consisting of lighting, colors, green spaces, and sound that is good for health, and air quality, and to propose a guideline for improvement.

The research was conducted based on mixed methods, both qualitative and quantitative research, to assess the post-access environment and assess opinions of building users. Data were collected from a survey, observation, interview, focus group discussion, and questions. The population in the study included elders, elders’ relatives, and health center staff. There was a group of 29 key informants. The sample consisted of 93 persons, purposively selected among building users on the day the researcher collected the data. There were 5 types of research instruments, i.e. a furniture layout plan, a behavior chart, an interview form, a focus group discussion form, and a questionnaire. Qualitative data were used for content analysis. The content was grouped to make a point discovered and arrange the priority. Quantitative data were analyzed using a statistical software package.

The findings from the study revealed that the existing physical healing environment that was suitable without utilization problems included outdoor green spaces and the air quality from the ventilation system. The existing physical healing environment that was not suitable for functional problems included

lighting, colors, and indoor noise. The healing environment that was not available included indoor green spaces, sound that is good for health, and air quality filling (aromatherapy). Found issues included inadequate natural light and light bulbs, which did not meet the standards. The color tone used inside the building was not suitable. There was no green space inside the building, only outdoors. Queue calling was disturbed by noises from talking in the building. Good sounds for health were not available. There was no unpleasant smell in the air, but aromatherapy was not available. Regarding opinions and demands, the current lighting is moderately sufficient for utilization. The suitable color tone is green. Green spaces are preferred. More than half of the participants required sounds that are good for health and aromatherapy from herbal essential oils that have healing properties. They expressed moderate satisfaction with the current air quality and healing environment.

The Public Health Center 54 Tadiam should improve the physical healing environment as follows: signs asking for cooperation in not making a loud noise should be attached, the air quality should be increased by providing aromatherapy from herbal essential oils, indoor green spaces should be available, indoor lighting should be increased for sufficient utilization, the wall color should be changed from brown to a lighter tone.

Environmental and Facility Design Guideline for Tourism in Historical Attraction Sites, Sisaket Province, Thailand

2024-03-15T11:40:47+07:00

Thailand has outstanding and diverse cultural heritage throughout all its regions, which can be promoted to create income for communities and localities, and also boost the national economy through tourism. Although this heritage possesses high cultural, historical, and artistic value, promoting it to create quality learning and tourism experiences still requires concrete study and promotion. This is especially true for the physical components of artistic sites, which are crucial to the capabilities of tourist attractions, particularly historical ones. The key problem in this study, which uses historical and artistic sites in Sisaket Province as a case study, stems from significant reasons: there is a limited amount of academic work and a lack of systematic research on the physical aspects of these tourist sites. Furthermore, there is a lack of development guidelines regarding facilities and appropriate spatial management that could help unlock that potential and value for future value creation. This research article forms part of the study entitled “Environmental and Facility Design Guideline for Tourism in Historical Attraction Sites: Sisaket Province, Thailand.” The objectives of this study are threefold: (1) to examine the context and systematically document the historical tourism resources in Sisaket Province; (2) to analyze the problems, needs, and standards of the environmental settings and facilities associated with historical tourism in the area; and (3) to propose design guidelines for environments and facilities that promote historical tourism. Using a mixed-methods approach, the study integrates qualitative research —including field surveys and observations of 85 representative historical and cultural sites in 39 sub-districts from 14 districts of Sisaket Province in conjunction with quantitative research data from a questionnaire of 250 respondents and interviews with key stakeholders through a participatory forum.

The findings from the field survey and observations revealed that the historical sites investigated are located in three main areas: 23 sites are situated within urban zones, 49 sites within rural communities, and 13 sites in isolated areas. The overall landscape and visual character are semi-rural. Among these, 46 historical and artistic sites are under the supervision of the Fine Arts Department, while the remaining 39 sites are managed by local authorities or other relevant agencies. The majority of the evaluations indicated a lack of adequate infrastructure to support tourism, including insufficient environmental management systems and safety measures. These deficiencies pose significant obstacles to transforming cultural capital into viable economic potential. An analysis of the survey data highlights the current context and conditions of historical and artistic sites in the area, identifying four key areas requiring development: (1) tourism services and logistics, which are generally inadequate in quality and capacity to accommodate tourism; (2) tourism facilities, including restrooms and resting areas; (3) physical management of the sites; and (4) the broader environmental design, which lacks consistency with tourism standards. Survey respondents particularly noted low satisfaction with logistical components such as transportation access, restroom infrastructure, and the absence of standardized safety features. These elements were identified as priority areas for improvement. Additional concerns included the need to enhance universal accessibility, improve transportation routes and parking, and provide effective spatial information and communication systems. Furthermore, data gathered through participatory interviews with stakeholders revealed three critical insights: (1) there is a need for policy integration at both the provincial and local levels; (2) historical sites should be upgraded into sustainable, high-quality learning and tourism destinations; and (3)policy recommendations concerning the design and management of tourism facilities and environments should emphasize coordinated governance, long-term development, and inclusive promotion. The overarching design concept should aim to create value-based learning spaces that are accessible to all and reflect a clear local identity.

From the study of context, needs and standards, policies and participation proposals, findings revealed significant gaps in tourism infrastructure, environmental management systems, and safety measures across historical sites in Sisaket Province, which impede the transformation of cultural capital into economic capital. The study argues that development should integrate management policies and sustainable environmental concepts to create accessible, high-quality learning destinations with a strong local identity. The proposed guidelines for the environmental and facility design of historical tourism in Sisaket Province include strategic recommendations for management and development policies as follows: (1) developing comprehensive plans and budgeting frameworks for site management, in coordination with conservation, promotion, and restoration strategies; (2)establishing administrative mechanisms and management networks; and (3) promoting the cultural value of the sites while implementing regulatory measures for land use and ensuring equitable distribution of tourism-generated income to local communities. Recommended design guidelines for historical tourism environments and facilities include: (1) articulating core local concepts to develop learning spaces that connect historical significance with contemporary relevance; (2) taking into account the visual impact of environmental and landscape features on historical and cultural sites; (3) promoting effective environmental management practices; (4) ensuring comprehensive safety measures covering visitor welfare, asset protection, accident prevention, and hygiene; and (5) developing inclusive facilities based on Universal Design principles and Tourism for All.

An Experimental Design Study on the Modern Transformation of the “Yikeyin” Traditional Dwelling through Participatory Action Research (PAR)

2025-06-06T14:46:16+07:00

The modernization of vernacular dwellings poses challenges in balancing traditional identity, spatial adaptability, and cultural sustainability. Focusing on the Yikeyin Traditional Dwelling in central Yunnan, China, this study employs Participatory Action Research (PAR) to explore how traditional features are recognized, transformed, and expressed in contemporary contexts. Through four iterative PAR cycles combining Co-Design, observation, and survey analysis, the study identifies key public evaluation factors—practicality, cost, and spatial adaptability—alongside concerns for locality and traditional recognizability. Three major challenges emerge: 1) maintaining cultural identity in modern design, 2) adapting traditional layouts to diverse spatial needs, and 3) addressing limited public understanding of architectural heritage. The study argues that effective transformation must integrate both tangible and intangible elements to ensure cultural continuity. It highlights the role of public participation in bridging tradition and innovation, contributing to the sustainable evolution of vernacular architecture.

Corporate Identity Design for Office of Digital Technology, Khon Kaen University

2025-07-14T17:15:55+07:00

This creative research focuses on the design and development of a corporate identity for the Office of Digital Technology, Khon Kaen University, the primary unit responsible for driving the institution’s digital strategy in teaching, research, academic services, and Smart Campus development. The project aims to create a visual identity that reflects technological advancement while preserving the Isan region’s cultural heritage, ensuring that it is clearly visible in the agency’s visual communication and recognized both within and outside the university. The study reinterprets the university’s three-segment emblem—originally representing “Philosophy, Ethics, and Wisdom”—within a modern digital context, aligning it with three core dimensions: (1) Philosophy in Information Technology (blue–navy tones symbolizing stability, trustworthiness, and security), (2) Ethical Digital Behavior (gold–orange tones symbolizing purity, warmth, and optimism), and (3) Digital Intelligence and Wisdom (pink–purple tones symbolizing wisdom, elegance, and intelligent application). Curved lines and circular dots are incorporated to convey connectivity and innovation while preserving the graceful qualities of local art forms.

The research employed a mixed-methods approach under the Research Through Design Framework, structured into five stages: (1) document analysis on the organization’s history, identity, and strategic plans, along with case studies of corporate identities from comparable technology-focused institutions, (2) development of three conceptual approaches—Typography, Monogram, and Mixed-Modern, (3) creation of prototypes and preliminary evaluation, (4) refinement of the final corporate identity system, and (5) expert evaluation by ten professionals in graphic design, corporate identity, and organizational communication using a five-point rating scale.

Findings from the comparative analysis and expert evaluation indicated that the “Mixed-Modern” approach was the most suitable, achieving a balanced integration of modernity and cultural reference. Expert evaluation yielded an overall mean score of 4.73 out of 5 (S.D. = 0.43), categorized as “highest,” with top scores in modernity, mission alignment, and applicability across different media. The lowest-scoring aspect, balance between contemporary and cultural elements (4.30, “high”), reflects the inherent challenges of cross-cultural design. The final identity design demonstrates high versatility, applicable to printed media, digital platforms, signage, and branded merchandise.

The research generates three main contributions: (1) a conceptual framework for corporate identity design that integrates local cultural heritage with contemporary digital aesthetics, (2) a methodology for reinterpreting and applying institutional symbols in a digital context while retaining their original values, and (3) an integrated design and evaluation process applicable to technology-focused units in higher education. It is recommended that a comprehensive Corporate Identity System manual be developed to establish correct, consistent usage standards across all media, ensuring effective and sustainable organizational communication.

An Assessment of Legal Preparedness for the Liberalization of Architectural Services within ASEAN

2025-07-03T11:41:32+07:00

This article aims to explore and assess Thailand's legal preparedness for the liberalization of architectural professional services within the ASEAN framework. It focuses on the Mutual Recognition Arrangement (MRA) for the architectural profession, which is part of the ASEAN Framework Agreement on Service (AFAS) aimed at creating a single market for trade in services among ASEAN. The article points out the necessity of amending the main law, the Architects Act, and related subsidiary laws to be in line with international obligations and the changing context of the labor market, particularly to facilitate architects from ASEAN member countries to practice their profession in Thailand under specified conditions.

The liberalization of trade in services is a key obligation for Thailand under the World Trade Organization (WTO) through the General Agreement on Trade in Service (GATS), which includes professional services like architecture. In 2007, Thailand signed the ASEAN MRA on Architectural Services to set standards and qualifications for "ASEAN Architects" to enable them to mobility and practice more easily within member countries. However, the Architects Act B.E. 2543 (1999) in effect at the time did not have clear provisions to support international professional practice under this agreement. Consequently, the Architect Council of Thailand had to review and amend the law to remove legal obstacles and prepare for the implementation of the agreement.

The objectives of this study are: 1) to study the Architects Act and other related laws concerning trade in architectural services; and 2) to propose guidelines for the development of subsidiary laws in line with the agreement on architectural services to professional organizations and educational institutions, to prepare for the professional practice of ASEAN architects. The review of related laws and agreements systematically analyzes the key elements of the MRA on architectural services, which detail the qualifications of ASEAN architects, such as having a professional license, a minimum of 10 years of work experience, and continuous professional development. The analysis also covers the Architects Act B.E. 2543 (amended in B.E. 2566), highlighting amendments that added provisions to support international agreements. These changes allow the Architect Council to issue necessary subsidiary laws for foreign architects who wish to register as ASEAN Architects in Thailand.

The research also examines other relevant laws that could be obstacles for foreign professionals, such as the Foreign Business Act B.E. 2542 (1999) and the Ministry of Labor's announcement that prohibits foreigners from working in the architectural profession. The article points out that even though these laws have exceptions for professionals entering under international agreements, they still lack clear coordination and direct linkage with the professional law, leading to confusion in practice. This qualitative research, which relies on document analysis, interviews, and considerations from a working group of stakeholders, aims to understand the gaps and limitations of existing laws and provide reasoned policy recommendations. The study findings indicate that Thailand has prepared subsidiary laws to support the registration of ASEAN architects, covering both Thai architects who wish to become ASEAN Architects and foreign architects from ASEAN countries. However, these legal measures are merely defensive and have not yet led to a significant movement of architectural professionals within ASEAN, due to practical limitations. These include the requirement for foreign architects to still obtain a professional license in the host country and the domestic laws of each country that continue to pose certain limitations or obstacles. Therefore, the researchers recommend proactive measures to encourage actual professional practice, such as promoting negotiations and cooperation with professional organizations in other ASEAN countries to create pilot projects, disseminating information about the MRA and the liberalization of services through professional associations and relevant agencies, and adjusting educational curricula to align with architectural standards within ASEAN to enhance the competitiveness of Thai students and graduates in the international labor market. Additionally, they suggest issuing joint operational guidelines between the Architect Council and related government agencies to ensure transparent and practical implementation.

Factors Enhancing Age-Friendly Walkability Through Cultural Heritage Tourism: A Case Study of Nakhon Ratchasima Old Town, Thailand

2025-07-21T14:30:31+07:00

The demographic transition to an aging society in the 21st century has necessitated the development of age-friendly walkable cities, particularly in Thailand, which became a fully aged society in 2022 with 20% of its population aged 60 and above, with projections indicating continuous growth. However, previous research has lacked in-depth studies on factors promoting walking in historic urban areas from the perspective of elderly tourists, especially within the context of heritage cities where infrastructure improvement constraints exist. Through a case study of the old town district of Nakhon Ratchasima, an area rich in cultural heritage with a dense elderly population comprising 32% of the local demographic, this study aims to examine factors and relationships between amenities and elderly satisfaction regarding walkable city development, and to propose appropriate walking route development guidelines for elderly residents in the old town area of Nakhon Ratchasima. The research employed a mixed-methods approach, comprising data collection through questionnaires administered to elderly general tourists and elderly community members in the old town area of Nakhon Ratchasima, aged 60-75 years and above with good health status, totaling 100 respondents. The questionnaires assessed factors promoting walking and satisfaction levels with various amenities, complemented by field observations to document the physical characteristics of the area and usage behaviors. Data analysis utilized descriptive statistics and factor analysis. The research findings revealed that the optimal walking exercise distance for most elderly individuals ranges from 500-1,000 meters. Critical factors promoting walkable cities for the elderly comprised appropriate infrastructure, safety, and essential amenities. Factor analysis demonstrated that amenities influence elderly satisfaction by 80%, particularly clean restrooms, with seating areas recommended every 200-500 meters, emphasizing shaded and secure locations. Based on these findings, this study proposes three concrete development approaches: improving signage systems for clarity and comprehensibility, increasing rest points and restrooms along frequently used routes, and developing mobile applications to supplement walking route information. The findings and recommendations from this study are not only beneficial for developing the old town area of Nakhon Ratchasima, but can also be applied as guidelines for developing other historic urban areas with similar contexts and challenges, to promote sustainable age-friendly urban development.

Creative Project for Short Film Production on Social, Family and Love Reflection: My Mom is the One

2025-08-06T15:27:14+07:00

This creative research project aims to explore and convey the complexities of contemporary Thai family relationships, with particular emphasis on the dynamic between mothers and adolescent children in a rapidly changing society shaped by globalization, digital technology, and shifting cultural values. Traditionally, Thai families served as the foundation of cultural, emotional, and social life, upholding values of filial piety, obedience, and hierarchical respect. Today, however, families face widening generational gaps in both thought and emotion, especially among Generation Z, who grew up valuing individual rights, questioning traditional authority, and using social media as a space for self-expression and identity formation. These factors have led to tensions between traditional notions of unconditional filial duty and emerging attitudes that stress equality and open emotional communication.

The research problem arises from the recognition that unbalanced expectations and the lack of emotional openness within families produce what can be termed “silence.” Here, silence does not merely denote the absence of sound but symbolizes repression, avoidance, and unresolved wounds in family life. While there have been sociological, psychological, and cultural studies of Thai families, there remains a lack of creative research in cinema that articulates intergenerational emotional struggles, particularly through short drama films, which possess the capacity to deliver condensed yet powerful emotional experiences.

The study has two main objectives: (1) to examine the process of writing a short film screenplay that reflects contemporary Thai family issues, particularly the mother–adolescent relationship; and (2) to produce a short drama film that communicates these complexities to audiences. The project adopts a creative-based research methodology, combining artistic production with academic analysis.

The research process began with an exploration of three narrative structures: the Joke Structure, the Three-Act Structure, and the Experimental Structure. These frameworks provided flexibility in shaping emotional rhythms, points of tension, and narrative progression, allowing the researcher to represent silence, conflict, and reconciliation in diverse ways. In addition, case studies of international films with comparable themes or atmospheres—Tokyo Story (1953), Be With You (2004), Village Photobook (2004), and Still Walking (2008)—were analyzed for insights into the use of symbolic communication and subtle emotional nuance.

The target audience was defined as adolescents and young adults aged 16–30, who are most directly engaged with the evolving norms of family life. Research tools included: (1) audience feedback gathered through general evaluations, and (2) audience comment content analysis from online platforms, used to examine both explicit responses and interpretative patterns. All audience feedback, expressed in a naturalistic context, was analyzed without a fixed sample size. Data adequacy was determined by the principle of data saturation, where analysis was considered sufficient once collected material became diverse enough and no new themes emerged.

Findings indicate that the use of silence, symbolic imagery, and subtextual dialogue in the screenplay and film successfully provoked deep audience reflection on themes of love, expectation, and forgiveness within families. Many viewers affirmed the emotional realism of the film and reported a heightened awareness of silence as a complex and layered phenomenon in family life. Moreover, the hybrid integration of multiple narrative structures with experimental atmospheres enriched the audience’s emotional experience, even within the limitations of the short film format.

The knowledge generated affirms that short drama films function not only as creative media for entertainment but also as safe spaces for dialogue, reflection, and emotional communication within families. The study demonstrates cinema’s potential as both a social and cultural tool, fostering empathy and healing intergenerational divides.

The novelty of this research lies in reframing silence—commonly regarded as a barrier to communication—as a “new language” of emotional expression that stimulates profound audience interpretation. The film further demonstrates its role as a “safe space” where younger audiences, particularly adolescents and young adults, can confront and articulate silenced experiences. At the same time, some viewers were able to connect with the mother’s perspective, showing that balanced storytelling can act as an “emotional bridge” across generations. Additionally, the integration of multiple narrative structures with distinctive visual, auditory, and tonal elements generated intense and realistic emotional experiences, underscoring how narrative innovation can effectively communicate sensitive and complex family issues.

In conclusion, this creative research project not only addresses gaps in theoretical studies of Thai families but also proposes a new approach to using short drama films as mediums for learning, healing, and fostering mutual understanding. It exemplifies how cinema can operate as a form of social and cultural practice, applicable both in academic contexts and in broader public communication.

Participatory design of landscape at ‘transit areas’ in tourism community: A case of Mahasawat Canal’s Community, Nakhon Pathom Province

2025-08-06T13:39:22+07:00

The aim of this research is the landscape design at the transit area in a participatory tourism community in Mahasawat Canal Community in Nakhon Pathom Province. The Mahasawat Canal Community, a central region community based on agriculture, has formed a group of farmers to transform the community into an agricultural tourism destination. The community offers boat tours under the name "Boat Tour... Viewing the Gardens Along the Mahasawat Canal." This has now become a well-known agricultural tourism destination. The starting point of the boat tour and sightseeing route is at Suwannaram Temple, a public area popular with both Thai and international tourists, as well as local residents, due to its location where land, water, and rail routes converge, also known as a "transit area." This article therefore has the following objectives: 1) to study the physical characteristics and activity characteristics of transit areas within the Maha Sawat Canal community; 2) to analyze the potential, physical problems, and relationships between the physical characteristics and activity characteristics of transit areas within the Maha Sawat Canal community; and 3) to propose guidelines for landscape design within transit areas under a participatory process within the Maha Sawat Canal community. The research methodology uses secondary data, field surveys, non-participatory observation, in-depth interviews, and presentation of design concepts and spatial plans through participatory processes, using focus groups and public hearings with community members and relevant stakeholders. The research was conducted between January and December 2019.The research results revealed that this community's temple serves as the central transit area. Therefore, the design concept emphasizes the uniqueness of the community's important temple buildings, creating a striking and elegant landmark. The open space and waterfront areas were redesigned to align with the temple's key building layout, effectively supporting tourism, traditional and cultural activities, and the waterfront lifestyle of local residents. The area is divided into eight public areas, including: a canalside area, a museum area, a temple area, a parking area, a school area, a train station area, a temporary parking area, and a canalside rest area. The details are: 1) The riverside plaza is designated to accommodate a variety of activities and connects directly to the tourist center, promoting it as a "Port-to-Path Gateway" for land and water transportation. 2) The museum plaza is designated as a key community activity area, supporting learning, meeting, and tourism. It serves as a "Canal Connect Commons Node" and a transition point between walking and canalside activities. 3) The temple plaza serves as a symbolic center. The design emphasizes a north-south axis connecting the pier and the temple entrance, opening up new perspectives and restoring the original historical axis. This plaza plays a role in "connecting the north-south circulation spine." 4) The main parking lot serves as a "transit-support space" for those traveling by private vehicle. The parking area is organized and landscaped, creating a welcoming atmosphere before entering the area. 5) The school plaza is a multi-purpose space connecting the school and the temple, serving as a "shared space" with the surrounding community. Enhance the positive image of the entrance area. 6) The train station yard is designated as a "Primary Access Node" for passengers arriving from outside the area by train, playing a key role in the area's "Mass Transit System." 7) The temporary parking lot is designed to accommodate use during important traditional events, which see higher than normal vehicle traffic. This area is designated as "Flexible Festive Parking." 8) The riverside relaxation area, located at the foot of the bridge, is limited in space. Therefore, the design provides a waiting area and a scenic viewpoint of the temple. It also includes a safe and convenient pier for boats to board and disembark. This area serves as a "Landscape Transition Space," connecting the community and the temple. The research concludes that preserving the community’s identity requires the preparation of design manuals, measures, regulations, local ordinances or regulations to create a unique identity for the community, and prioritize the improvement of landscape environment to make it safe and convenient for local and visitors under control measures and incentive measures of physical landscape development of the community.

The investigation of the reused household glass packaging for eco-art creation guideline

2025-07-12T12:58:48+07:00

This study on reused household glass packaging adopts a developmental research approach to identify effective methods for managing glass bottle waste. It focuses on transforming discarded bottles into reusable materials through recycling to maximize their value. The creation of environmentally friendly products thus provides a guideline for eco-art development. The objectives were (1) to examine and experiment with household glass waste to identify suitable processes for eco-art production, and (2) to synthesize guidelines for eco-art creation and disseminate the acquired knowledge. The research employed a mixed-method approach, including a survey of second-hand shops in Bangkok and surrounding areas to assess the types and quantities of discarded glass packaging, with experimental research involving interviews with government-affiliated glass product experts and three glass artists experts, and the artistic creations were evaluated by 100 participants.

The findings revealed eight distinct glass packaging types, categorized by color, with clear, amber, and green. Glass conditions were divided into intact bottles and broken fragments. Three experimental plans were conducted to determine optimal artistic processes, controlling for material type, time, and temperature. Results showed no significant differences in glass melting outcomes across trials, with effective melting occurring at 750–800°C, allowing for effective reuse of glass waste. Five distinct artistic designs were developed and disseminated, with the fifth set receiving the highest satisfaction with mean = 4.51. The most innovative and aesthetically relevant design achieved satisfaction with mean = 4.57, while the eco-art development potential of glass packaging waste received with mean = 4.52.

A Study of Factors Influencing the Development of Accommodation in Ban Wang Hora Ecotourism Community, Danchang, Suphanburi towards Sustainability under the 13th National Economic and Social Development Plan for Tourism

2025-08-11T15:35:55+07:00

Thai tourism is a key driver of national economic and social development, with strategies focused on enhancing global competitiveness. It promotes income generation, cultural awareness, and sustainable preservation of local heritage, while improving community well-being and delivering experiences that foster spending and repeat visits.

For this reason, the objective of this research is to study the factors influencing the development of accommodation in Ban Wang Hora Ecotourism Community, Dan Chang, Suphan Buri. The focus is on creating positive experiences for tourists and enhancing tourism value through accommodation and environmental design that aligns with the community’s unique identity. This approach corresponds with the 13th National Economic and Social Development Plan for Tourism. The study uses qualitative research methods supported by empirical analysis in the actual area, including interviews and field data collection.

The research findings reveal that the key factors influencing tourists' decisions in choosing accommodations include: (1) distinctive accommodation design such as dome-shaped structures or rooms modeled after train carriages, (2) a variety of amenities, (3) Activity offerings that reflect local lifestyles and culture, (4) Understanding tourists’ behavior and needs, and (5) Promotional media that fosters engagement and long-term relationships. It is noteworthy that price is not the primary factor in accommodation booking decisions when the design and services effectively meet the target group's specific needs.

This study highlights a pathway for developing accommodation models that contribute to the sustainable growth of the eco-tourism industry in terms of tourist well-being and community income generation. The findings may serve as a model for development in other areas with similar cultural and socio-geographical potential.

“The Role of the Bangkok Metropolitan Administration in Low-Income Housing Management: Case Studies from Global Metropolises and Multi-Actor Coordination Mechanisms”

2025-08-19T17:07:16+07:00

The management of low-income housing in Bangkok reflects structural challenges that embody social inequality and urban livelihood issues. Although the Bangkok Metropolitan Administration (BMA) has established a dedicated Housing Development Office, in practice it still faces institutional, financial, and personnel constraints that limit its capacity. This study aims to analyze the role and structure of BMA in managing low-income housing, compare its governance with New York City’s case, and propose pathways for strengthening BMA’s role as a systemic coordinating mechanism. In addition, the research reviews the institutional roles of relevant Thai agencies, including the National Housing Authority, the Community Organizations Development Institute, and private developers, in order to highlight their strengths, limitations, and interlinkages with the BMA as the key municipal actor.

The research objectives are fourfold: (1) to examine the current roles and limitations of BMA in low-income housing management; (2) to compare institutional and governance structures with the case of New York City; (3) to analyze strengths and constraints of Thai agencies involved in housing provision; and (4) to propose strategic directions for BMA to function as a “multi-actor coordinator” in low-income housing governance.

A mixed-methods research design was employed. Quantitative data were collected from 416 household surveys across four project types: BMA housing, Baan Mankong housing, National Housing Authority (NHA) projects, and private sector projects. Data were analyzed using descriptive statistics and one-way ANOVA to assess differences in quality of life, housing problems, and satisfaction levels. Qualitative data were collected through in-depth interviews with six key informants from government and private sector representatives, analyzed using coding and thematic synthesis. Documentary analysis of New York City’s housing institutions—including HPD, HDC, NYCHA, and MIH/PACT—was conducted to derive comparative lessons.

The findings indicate that BMA housing projects were evaluated as having the highest problem severity across all dimensions, whereas private sector projects showed the lowest severity, reflecting higher management efficiency. Baan Mankong projects demonstrated strong community participation but were constrained by land tenure and legal frameworks. NHA projects, while accommodating large numbers of households, remained rigid and dependent on central government funding. These findings align with qualitative evidence of systemic gaps in four dimensions: finance, housing projects, target groups, and institutions. By contrast, New York City demonstrates that effective low-income housing management requires a clear housing agency (HPD), sustainable financing mechanisms (HDC), long-term project management (NYCHA), and mandatory urban planning tools (MIH/PACT).

The study concludes that BMA must shift its role from being a direct implementer of housing projects to functioning as a systemic coordinating mechanism. This involves establishing a Strategic Housing Agency with clear mandates, alongside developing a Matching Platform that integrates population data, housing projects, and policy measures across public and private actors. Such an approach would allow Bangkok to bridge institutional gaps, enhance governance capacity, and build a more effective, transparent, and sustainable low-income housing system.

Designing Concept Art to Communicate Feminist Ideas A Case Study on the Creative Process of the Game The Rules

2025-06-11T15:33:44+07:00

In contemporary society, structural violence and oppression against women continue to manifest in multiple forms whether physical, psychological, or through roles constrained by patriarchy. Digital media, especially games, have become powerful tools to question and critique these power structures. This research employs concept art and game mechanics as alternative languages to reflect feminist ideas and to create a space where the voices of women, often marginalized in society, can be recognized and acknowledged. The objectives of this article are: (1) to design and develop The Rules, a concept art–driven game that reflects and communicates feminist ideas; and (2) to evaluate the effectiveness and satisfaction of experts and general users with the developed prototype. This research study adopted the Feminist Design Methodology and assessed the prototype’s effectiveness through the perspectives of both experts and general users. It was grounded in Creative Practice-Based Research within the 3P Production Process, which included four stages: (1) pre-production—analyzing social issues and developing narrative, mechanics, and symbolic visuals; (2) production—creating the prototype, including concept art, animation, and UX/UI mock-ups; (3) post-production—refining the design for communicative clarity; and (4) evaluation—assessing effectiveness and satisfaction with data collected from three experts and 207 general users through questionnaires and semi-structured interviews. This research findings: The design process proved to be a space for reflecting women’s identities, emotions, and silenced voices within society; The prototype received the highest evaluation from three experts (𝑥̄ = 4.76, S.D. = 0.36) and very high satisfaction ratings from 207 general users (𝑥̄ = 4.48, S.D. = 0.59), particularly regarding conceptual communication and emotional engagement. The findings affirm that games and concept art can function as powerful critical communication tools, using aesthetics as an alternative language to convey issues of power, gender, and inequality with depth and contemporary social meaning. This research confirms that “concept art and games” can serve as powerful artistic instruments of critique (Critical Communication Tools). By employing aesthetics as an alternative language, they can communicate issues of power, gender, and inequality, and provide a meaningful space for reflection and questioning of societal structures in profound and contemporary ways.

Transformation of Bangkok Housing Development (1973 – 2022)

2025-08-08T17:46:07+07:00

Bangkok, the capital and the centre of development in Thailand, has led to rapid urban growth. In 1961, the 1^st National Economic and Social Development Plan led to mass immigration into Bangkok, which resulted in the concentration of housing in the urban areas and impacted housing management. Since the establishment of the National Housing Authority (NHA) in 1973, the government has improved the quality of life of urban residents, including slums and informal housing. Meanwhile, the private sector has produced a large number of housing units for middle to high income groups, all of which have impacted Bangkok's urban development. However, there has been no comprehensive study of housing development in Bangkok after the establishment of the National Housing Authority, which was a period of transition from a few numbers of self-constructed housing to the mass housing production by the public and private sector. This impacted the overall urban development of Bangkok. Consequently, it led to the overall study of housing development in Bangkok. This article aims to document housing development in Bangkok between 1973 and 2022, and analyze the role of housing in the urban development of Bangkok. This research utilized documentary data from the National Housing Authority, the Real Estate Information Center (REIC), and the Government Housing Bank (GHB). The data were analyzed through the creation of a housing development timeline, the change in the proportion of public and private housing units, the proportion of horizontal and vertical housing, the proportion of land use in Bangkok, the distribution of horizontal and vertical housing, and the density of each district. Experts in housing and urban development were then interviewed to verify the validity of the study results, with Bangkok serving as the study area between 1973 and 2022. The results of the study, derived from the creation of a housing development timeline, showed that housing development can be divided into three periods, consistent with the UN-Habitat I, II, and III. UN-Habitat I (1973–1986) saw the establishment of the National Housing Authority, rental housing, and new urban development. The government led the production of public housing, increasing production by 20,000 units annually. Real estate development was controlled by laws, including the Investment Promotion Act of 1977 and the Building Control Act of 1979. Transportation was still solely by road, with main roads including Phahonyothin, Sukhumvit, and Phet Kasem. This resulted in horizontal real estate development along the roads into the suburbs. UN-Habitat II (1987–2001) saw the real estate boom that led to the financial crisis. The private sector played a key role in housing production, driven by the liberalization of the financial market and various supportive policies. This led to widespread real estate speculation. Housing became a commodity, with the highest number of units produced annually. Following the financial crisis, the government implemented the "Baan Laan Lang (Million Homes)" policy to stimulate the economy, with the National Housing Authority returning to play a key role in the production of low-rise housing projects. Two city plans were developed, and the first sky train system was implemented. UN-Habitat III (2002-2022) saw the recovery and growth of the condominium market, driven by the "Million Homes" policy and the development of the sky train system, resulting in significant real estate growth along mass transit routes. The number of registered housing units annually had nearly doubled in size before the financial crisis. Studies show that housing plays a crucial role in urban development, as evidenced by changes in land use. The proportion of residential land increased throughout the three eras, from 12 percent in the first era to 24 percent in the second era and to 33 percent in the third era. Furthermore, there was a clear relationship with the growth of urban transportation routes, as evidenced by the development of low-rise housing projects in suburban areas during the first era, where housing projects grew along several major roads. This led to the concentration of condominiums around sky train stations, which have become the primary transportation routes for urban populations, leading to rapid urban density growth in the third era. In summary, housing is not just about providing shelter. It is also linked to economic prosperity, social stability, infrastructure development, and overall quality of life improvement in the city. Effective urban development strategies must prioritize housing as a key driver of sustainable growth. Bangkok Metropolitan Administration (BMA), as a local government organization, should oversee the collection, analysis, and integration of statistical databases among relevant agencies through the inclusion of housing plans in the Town Planning Act. This aims to establish guidelines for inclusive urban and housing development that leave no one behind. This initiative can begin with collaboration between government agencies involved in housing development and the private sector to understand housing supply and demand, enabling more effective planning and implementation of housing policies to address, prevent, and mitigate the impacts of climate change and disasters on housing. Furthermore, relevant agencies at all levels should understand the goals of the new urban agenda, providing a framework for further implementation.

Traces of Type and Typology in the Context of Modern Architecture: Le Corbusier

2025-06-18T20:14:15+07:00

This article investigates the evolution and reinterpretation of the architectural concepts of “Type” and “Typology” in the modern works of Le Corbusier. Grounded in a theoretical framework informed by the philosophies of Quatremère de Quincy, Jean-Nicolas-Louis Durand, and Gottfried Semper, the study proposes that Le Corbusier’s renowned Five Points of Architecture do not constitute a rejection of historical architectural thinking. Rather, they represent a modernist reinterpretation that synthesizes traditional typological principles with the demands of modern technology, construction systems, and socio-cultural shifts.

The study adopts a qualitative research methodology, integrating comparative analysis and interpretive reading. The investigation focuses on three seminal projects Villa Savoye, Unité d’Habitation, and Chapelle Notre-Dame du Haut (Ronchamp), each representing a distinct mode of transformation in typological thinking. Quatremère’s notion of type as an abstract principle, Durand’s systematic approach to architectural composition, and Semper’s four fundamental elements (hearth, roof, enclosure, mound) form the foundation for interpreting Le Corbusier’s architectural grammar.

Findings suggest that Le Corbusier’s architectural language demonstrates a complex transformation of traditional typologies. Villa Savoye illustrates an idealized application of the Five Points through spatial openness, pilotis, and panoramic vision. Unité d’Habitation exemplifies the integration of modular standardization into collective housing, while Notre-Dame du Haut reflects a spiritual reinterpretation of religious form through symbolic geometry, light, and spatial fluidity.

The Five Points – pilotis, free plan, horizontal windows, free façade, and roof garden – are analyzed not merely as physical innovations but as abstract principles that enable multiple contextual adaptations. These elements reflect traditional ideas reinterpreted for the industrial era – elevated bases (mound/pilotis), layered enclosures (walls/windows), and social hearths (living rooms) transformed through new materials and construction methods. Thus, Le Corbusier’s architecture bridges past and present, crafting a modern typology that remains grounded in cultural and philosophical depth.

In conclusion, this article presents a conceptual framework for reading the “traces of type” in modern architecture. It argues that Le Corbusier’s work embodies a layered continuity between historical typological principles and contemporary architectural innovation. Rather than a rupture, modernist design becomes a reinterpretation an active dialogue with tradition that shapes the future of architectural thinking.

Digital Fashion in Sustainable Clothing Design and Production

2025-04-21T09:37:16+07:00

This article explores the role of digital fashion as an innovative tool for sustainable design and garment production. The primary aim is to examine how digital fashion can help reduce the use of natural resources, minimize waste generated in traditional production processes, and promote environmentally responsible approaches to fashion development. Today, the fashion industry is widely recognized as one of the leading contributors to environmental degradation, particularly due to its heavy consumption of materials, high energy usage, and generation of non-biodegradable waste. However, advances in digital technology have introduced new tools that can support more sustainable design processes in the fashion industry. This study focuses on the potential of digital fashion, especially through the use of 3D design software such as CLO3D, which enables the creation of realistic virtual prototypes. These digital models can replace the need for physical samples in the early design stages, significantly reducing material usage and production waste. The main objective of this research is to evaluate how digital fashion technology can support sustainable design practices, particularly by shortening design timelines, lowering costs, and reducing material consumption. Additionally, the study considers how digital fashion enhances the ability to present design concepts in realistic and engaging ways. To investigate this, the article presents a case study on the design of a football uniform using CLO3D, a widely adopted 3D software in the international fashion industry. Football uniforms are a useful subject due to their need for precision in terms of proportion, pattern accuracy, and responsiveness to body movement. Therefore, the use of 3D software in this context clearly demonstrates the capabilities of digital fashion. The findings show that applying CLO3D in the design process significantly reduces redundant steps typically involved in traditional prototyping. Designers can accurately simulate fabric properties such as elasticity, folds, and how garments move in response to body motion. Results from this experiment reveal that digital fashion can generate outputs that closely resemble physical products, while also offering immediate flexibility to adjust design elements—such as color, material, or pattern—without the need to physically produce multiple sample versions. This allows for tangible reductions in time, cost, and resource use throughout the design and production process. From the case study, three main advantages of digital fashion are highlighted: (1) The ability to reduce the need for physical prototypes by relying on highly accurate digital garment simulations;
(2) The reduction of costs and waste associated with iterative sampling and design refinement common in traditional methods; and (3) The acceleration of the design, testing, and revision cycle, enabling more agile responses to market demands—especially important in commercial fashion contexts where designs change rapidly by season. Nevertheless, the article also discusses current limitations of digital fashion. These include the costs associated with acquiring and maintaining necessary software and hardware, the complexity of learning the technology for designers unfamiliar with digital tools, and certain technical constraints such as the inability to fully replicate physical properties like texture, tactile sensation, or the effects of actual sewing techniques. Despite these limitations, digital fashion still demonstrates strong potential for both academic exploration and practical application, especially in equipping new-generation designers with innovative skills. Moreover, digital fashion serves as a foundational knowledge base for integrating related technologies such as artificial intelligence (AI) and virtual reality (VR). Based on the findings, this study recommends incorporating digital fashion into fashion design curricula at the higher education level, to better prepare future designers to adapt to the evolving global landscape of sustainable fashion. Furthermore, collaboration among academia, industry, and technology sectors should be promoted in order to mainstream digital fashion practices in commercial garment production. Establishing a new ecosystem that supports the widespread adoption of digital fashion could serve as a key mechanism to drive the fashion industry toward long-term sustainability, benefiting both economic and environmental dimensions.

E-Lerng Artists Collective and Policy Proposals for the Development of Community Art in Thailand

2025-07-12T12:58:32+07:00

Although the concept of community art has gained increased attention in Thailand’s contemporary art scene, there remains a lack of sustainable policy support that is contextually grounded and responsive to the realities of local communities. Most community-based art initiatives in Thailand emerge sporadically, often lacking the institutional or governmental structures necessary for long-term continuity. Many projects are short-term and fail to embed themselves meaningfully within the communities they aim to serve, raising critical questions about sustainability, impact, and the role of art in social development.

This research explores the E-Lerng Artists Collective, a Bangkok-based group that has engaged in community art practices in the Nang Loeng neighborhood since 2008. Notably, E-Lerng operates independently from formal institutions, emphasizing long-term relationships, mutual trust, and grassroots participation as the foundations of their practice. Conducted by a practitioner–researcher with direct involvement in the group’s activities as an artist, curator, and volunteer, this study offers deep insights into the group’s internal processes and evolving strategies.

The objective of this study is threefold: (1) to investigate the history, development, and operational structure of the E-Lerng Collective as a long-standing community art initiative; (2) to analyze the socio-cultural and policy frameworks that enable or hinder community art in Thailand, using E-Lerng as a case study; and (3) to propose policy recommendations for sustainable community art support, grounded in lessons learned from E-Lerng and relevant theoretical comparisons.

This qualitative study employs mixed methods, including semi-structured interviews with artists, community leaders, and cultural policy experts; participant observation in Nang Loeng; and extensive document and media analysis. Key theoretical frameworks include the researcher’s original concept of “Community Art as Decentralized Social Infrastructure,” which views community art as a socially embedded structure driven by trust, reciprocity, and local agency—rather than top-down mandates. This framework is critically compared with Markusen and Gadwa’s (2010) “Cultural Infrastructure,” Kester’s (2004) “Dialogical Aesthetics,” Bishop’s (2006) “The Social Turn,” and Matarasso’s (1997) cultural policy critiques.

Findings indicate that the E-Lerng Collective exemplifies a decentralized social infrastructure model—sustained through long-term engagement, adaptive strategies, and non-institutional modes of organization. The group’s activities span beyond conventional art practices to include educational programs, local leadership development, creative resource management, and the revitalization of cultural heritage. Their work is transdisciplinary, bridging art with health, education, economics, and cultural sustainability through participatory processes.

Policy recommendations from this research emphasize the need for bottom-up support systems: flexible funding mechanisms, long-term infrastructure beyond short-term projects, and the creation of neutral platforms that facilitate collaboration between communities, state actors, and civil society without disempowering grassroots initiatives. The role of the state should shift from “leader” to “enabler,” supporting knowledge exchange and cross-sector networks rooted in real-world practices. These proposals highlight the potential of community art not only as a cultural tool but also as a pathway to holistic, inclusive, and sustainable social development.

Expansion of Knowledge Boundaries in Contemporary Ceramic Practice: A Study through the Thai Ceramic Society International Exchange 2025

2025-07-24T09:31:40+07:00

This article explores the expanding knowledge landscape in the creative field of ceramics, as reflected in the Thai Ceramic Society International Exchange 2025 exhibition. It focuses on the development of knowledge in materials and production processes, tracing the evolution from historical practices rooted in local crafts to contemporary creative approaches. The study emphasizes the application and dissemination of knowledge through research, both in purely practice-based methods and practice-led research. The case studies drawn from this exhibition highlight the technical aspects of ceramic production rather than the diversity of content or conceptual depth. This perspective demonstrates how new materials and methods are shaping contemporary ceramic art and design. By viewing production as a body of knowledge that builds on the past and provides a foundation for the future, new generations of ceramic artists and designers are able to explore new possibilities. It also shows that focusing on technical processes can be just as much a creative driving force as developing content and concepts.

Seventeen works were selected from the exhibition as significant examples of how knowledge in materials and production processes is expanding. The selection criteria were based on two values in ceramic practice: (1) the value of integrating modern technology and materials into ceramic art, and (2) the value of excellence in technical methods. The study of these works revealed four key approaches that illustrate the development of contemporary ceramic production: (1) Alternative Forming Approaches – creating value by extending or challenging traditional forming methods, finding new techniques, or experimenting with new materials and technologies; (2) Surface Development Through Traditional Techniques – creating value by innovating on surfaces through decorating, coloring, and glaze experimentation; (3) Mimicking the Forms and Surfaces of Other Materials – developing high-level techniques to manipulate clay to imitate other materials, requiring advanced clay management skills; and (4) Material and Process-based Experimentation – generating knowledge through process-oriented research and experimentation with the possibilities of clay and glazes.

In conclusion, the knowledge landscape of ceramic materials and processes is continuously evolving. This demonstrates that production is not merely a backdrop for aesthetic expression but a central site of innovation and knowledge creation. The works presented in the Thai Ceramic Society International Exchange 2025 exhibition show how artists, designers, and researchers are pushing boundaries through experiments in forming processes, surface development, material identity, and production methods. These efforts contribute to shaping contemporary ceramics by combining tradition with experimentation, building a foundation for future development. Ultimately, the study underscores that materials and production processes remain at the heart of advancing the field of contemporary ceramics today.

The Four Aspect of Cultural Capitals in Old Commercial Districts in the Central Region of Thailand

2025-08-29T11:08:05+07:00

Communities and old commercial districts in the central region of Thailand have history, wisdom, skills, practices, movable goods, architecture and landscapes that can be used as cultural capital to create value for the area further. Generally, cultural capital is defined as tangible and intangible, which can lead to confusion in valuing it, as some cultural capital overlaps between tangible and intangible aspects. This academic article aims to study the characteristics of old commercial districts in the central region of Thailand and to analyse the cultural capital patterns in old commercial districts in the central region of Thailand. The findings from the study found that there are four aspects of cultural capital relevant to local people. 1) Information: Cultural capital transmits via listening, reading, talking and watching. This is related to the moments in people's memories and thoughts in the area. 2) Practice: Cultural capital transmits via practices, activities and processes. This is related to the activities of people in the area. 3) Object: Cultural capital transmits via touching, possession, and use. This is related to people's use in the area. and 4) Place: Cultural capital transmits via atmosphere, senses and space usage. This is related to people's use of space in the area. This is expected to allow for a clearer classification of the forms and relevance of cultural capital, leading to cultural practices, the creation of cultural products and services, the conservation and application of cultural landscapes and heritage, and creative problem-solving for local communities or societies.