The Transformation from Modernism to Postmodernism in Samuel Beckett's Drama

Abstract

This article attempts to explore modernist and postmodernist literary theories and apply them to Samuel Beckett's plays, Waiting for Godot (1954), Endgame (1958), and Not I (1974). According to the study, many features of Samuel Beckett's drama reflect the views of modernist literary theory and anticipate those of postmodernist theory. Not only does he challenge and undermine most of the standard theatrical conventions of 19th century drama like modernist artists try to do, but also shares the postmodernist view that he disbelieves in the system of language and signs. In fact, a legacy of Beckettian style also has become influential in shaping the characteristics contemporary theatre.