The Formative of Creative Development of Pentatonic scale Structure to Music Composition
Keywords:
Forms, creative development, Pentatonic scale structure, Music compositionAbstract
The pentatonic scale is one of the basic tones used by composers to create popular melodies or jazz music. Create a melody within a song. which the accent sound in the playing will indicate that it is Asian music. Because the notes formed by the melody in the grammatical hierarchy are small, that is, there are 5 sounds. Therefore, it makes the movement of the melody that occur more smoothly and create a good continuity of the melody. The structure of this scale can be created from a diatonic scale with seven sequential notes. By bringing the structure of the pentatonic scale to compare such structures. Made from a major scale. Minor scale Alternatively, the basic modes can be used to create a pentatonic scale, resulting in a pentatonic scale created from such a scale with a variety of melody accents. more songs.
The chords formed by the structure of the pentatonic scale in each room can also be used to change the mood of a song. Although the pentatonic scale has 5 sounds, the chord pattern of the pentatonic scale can have tensile tones hidden in every chord, for example: 6 b7 9 #11 13 And the melody of the chords depends on the structure of the pentatonic scale of each type. Therefore, jazz music brings melodies to create more improvisation composers with a variety of accents.
References
เอกสารอ้างอิง
นพพร ด่านสกุล. (2541). บันไดเสียงโมดอล. สงขลา : มหาวิทยาลัยทักษิณ.
สุชาติ แสงทอง. (2542). ทฤษฎีดนตรีแจ๊สกับการอิมโพรวิเซชั่นแนวปฏิบัติ. นครสวรรค์ : สถาบันราชภัฏนครสวรรค์.
Boyd, Bill. (1986 a). Jazz Chord Voicing for Keyborad. Milaukee, WI : Hal Leonard
_________. (1992 b). Exploring Jazz Scale for Keybord. Milaukee, WI : Hal
Leonard.
Campbell, Gary. (1998). Connecting Jazz Theory. Milaukee, WI : Houston.
Haerle, Dan. (1980).(1975). Scale for Jazz Improvisation. Miami, FL : Bewin.
Shumway, Stanley. (1970). Harmony and Ear Training at the Keyboard. 3rd
ed. New York : WM.C.Brow.
Zinn, David. (1981). The Structure and Analysis of the Modern lmprovised
Line. New Yord : Exeelsior Music.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Journal of Humanities and Social Sciences Uttaradit Rajabhat University
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
บทความเป็นลิขสิทธิของคณะมส. มรภ อต.