@article{Qin_พันธุภากร_2018, title={Mural painting at Chinese shrine:: The development of chinese art learning resource of Mae Klong Basin Community at Photharam Market, Ratchaburi Province}, volume={13}, url={https://so04.tci-thaijo.org/index.php/larhcu/article/view/156568}, abstractNote={<p>This research focus on the mural painting at Chinese shrine, especially the<br>development of Chinese art learning resource of Mae Klong Basin Community at<br>Photharam Market. The research aims to Study the authenticity of the mural painting<br>at Chinese shrine in Photharam Market, which will provide a valuation of the mural<br>painting at Chinese shrine during the learning process, and a approach for Chinese art<br>resources management. The research found that the art style of mural painting at<br>Chinese shrine in Photharam Market, which was inherited from southern China during<br>the late Qing Dynasty and the early People’s Republic of China period. These mural<br>paintings are used as a median to cultivate the virtue of Confucius, Taoism and Mahayana<br>Buddhism and as sacred symbol of original Chinese belief. The value in the process of<br>learning mural painting is to cultivate morality, and organize social ethics. They ate<br>media for it is a medium of learning Chinese history and culture as well. Furthermore,<br>mural painting learning can create economic value for the community. The development<br>approaches should be based on the mural painting database of Chinese shrine. As a<br>source of learning for both inside and outside the community, mural painting can instill<br>good morals to people, and help develop cultural tourism and Chinese cultural products<br>output to increase income for the people in the community. There is no doubt that<br>people in the community shall play a major role in the mural painting learning process.</p>}, number={26}, journal={Liberal Arts Review}, author={Qin, Hongbo and พันธุภากร ภรดี}, year={2018}, month={Nov.}, pages={131–144} }