Main Article Content
This article focuses on the study of Shadow play according to the creative folklore concept that appears in southern Thailand. By means of collecting documents and research related to the Shadow play study. And went to Shadow play storage area according to the creative folklore concept
The study results showed that Shadow play is a performance of southern people who have traditions of the show. For the show, it was found that there was a performance in a vindication ritual. And shows for general entertainment after examining Shadow play according to the creative folklore concept, it was found that there were 3 groups as follows: (1) the creation of Shadow play has become a cultural identity such as the sculpture of Shadow play. Name the multipurpose pavilion that often appear with the belief of fortune or the adoption of Shadow play in commercial business. (2) Shadow play and local dialects, literature, songs and performances were found to be recreated in comparison to human behavior and events. (3) the transmission of Shadow play in other contexts such as teaching and learning media or organizing a fairs or competition for the royal cup In order to conserve and promote the performing arts to remain in the southern region.
Framework A case study of Nang Talung, “Diao Young”. Search https://www.silpa-mag.com/culture/article_37457.
Chanasri, Ch. (2001). Analyze the ethics that appear in Nang Talung of shadow play Cin
Oramut. Thesis Master of Arts Program in Bachelor of Arts (Thai Studies). Thaksin University.
Chuyan, P. interview 16 December 2020.
Fakao, S. (2010). Maintaining the Cultural Identity of the
Tai Yai Community throughTransitions in Mae Hong Son Province. (Research report). Bangkok: Department of Cultural Promotion Ministry of Culture.
Kaewchum, P. interview 8 October 2020.
Kaewthep, K. (2001). Science of Media and Cultural Studies. (3rd edition). Bangkok:
Meechana, A. (2008). The human Nungtalung performance Group Samul Sow Phatum. Thesis Master of Arts Program in Thai Dramatic Arts. Chulalongkorn University.
Na Thalang, S. (2562). “Creative Folklore” Synthesis and theory. (2nd edition). Bangkok:
Princess Maha Chakri Sirindhorn Anthropology Centre (Public Organisation).
Royal Institute Dictionary. (2011). Online.
Panrat, P. interview 16 December 2020.
Promtapea, O., Srisuantangb, S., Soopunyoc, w. (2017). Learning and Transferring process of
local shadow plays in Songkhla province. KASETSART JOURNAL OF SOCIAL SCIENCES. 38 (2017) 623–635.
Ruangma, M., Yuttapongtada, M., Sengnet, R. (2018). Social Implicationthrough The Language
Conveys Humors in Shadow Play of Nongdeaw Lookthung Watthanatham Group. Rommayasan. 16 (3). 131-147.
Sawaddikun, S., Intasaro. S., Na Nakorn, E. (2019). A comparison of Thai language of
Southern Thai language in Thungyai Nakhon Si Thammarat Province. (research). Songkhla: Faculty of Science and Technology Rajamangala University of Technology Srivijaya.
Suwanno, T. interview 4 February 2020.
Supsin, W. 2008: History joker shadow play in the South. Pattani: Faculty of Fine and
Applied Arts Prince of Songkla University.
Tongwan, P. (2010). Shadow Phay. Thesis Thai Arts Program Painting, sculpture and Printmaking. Silpakorn University.
Thai culture. (2015). Shadow Phay. Search ttps://sites.google.com/site/angkana47013/ phakh-ti/hnang-talung.
Wessayasirin, S. (2019). Identity Construction of Southern Thai People Through Shadow
Play. The Academic Journal Faculty of Humanities and Social Sciences Nakhon Sawan Rajabhat University. 6 (2), 334-352.
Yu Thong-Saeng Uai, J. (2014). Southern Shadow Phay: Root and Crucible "Identity of The
South". Walailak Abode of Culture Journal. 14 (2), 11-30. [in thai]