P-Pop Rise: Cultural Hybridization and Participatory Culture of Filipino Gen Z P-Pop Fans on the Recognition of New Generation P-Pop Groups

Main Article Content

Efren C. Gimoto Jr.
Mark Jhon A. Villanueva
Hazel Grace M. Juaton
Joan Nicole R. Lazaro
Regine Mae L. Tubera
Luis Isaias Z. Dela Cruz

Abstract

This study explores the recognition of new generation P- Pop groups in the Philippine music industry through the cultural hybridization of Do's Star-Making System and the participatory culture of Filipino Gen Z P-Pop fans on social media. The researchers utilized a triangulation research design involving qualitative and quantitative data collection methods, such as in- depth interviews and a structured online survey. The researchers found that local P-Pop artist management in the Philippines has adopted and modified the Do's Star-Making System to appeal to Filipino audiences, incorporating Filipino lyrics and traditional and foreign sounds in their songs. Furthermore, there is a correlation between the participatory culture of Filipino Gen Z P-Pop fans on social media and the cultural hybridity made by local P-Pop artist management from Do's Star Making System in forming their New Generation P-Pop groups, thus, rejecting the study's null hypothesis. Moreover, modifying Do's Star-Making System through cultural hybridization and the participatory culture of Filipino Gen Z P-Pop fans on social media is essential for recognizing New Generation P-Pop groups in the local music scene. This study could serve as a benchmark for local P-Pop artist management to further enhance the localized training system for young aspiring P-Pop idols—strengthening Filipinos' growing appeal and support to the P-Pop industry in general.


 


Keywords: New generation of P-Pop, K-Pop, P-Pop, P-Pop Fans, cultural hybridization. Filipino Gen Z, Jenkins' Participatory Culture, Philippine music industry, Fan study, Fandom, Do’s Star-Making Syste

Article Details

How to Cite
Gimoto Jr., E. C. ., Jhon A. Villanueva, M., Grace M. Juaton, H., R. Lazaro, J. N., L. Tubera, R. M., & Dela Cruz, L. I. Z. (2025). P-Pop Rise: Cultural Hybridization and Participatory Culture of Filipino Gen Z P-Pop Fans on the Recognition of New Generation P-Pop Groups. NIDA Case Research Journal, 16(2), 89–118. Retrieved from https://so04.tci-thaijo.org/index.php/NCRJ/article/view/265870
Section
Case Study

References

REFERENCES

Vergonia, J. P. (2018). Korea.net. Why K-Pop is huge in the Philippines: Korea.net: The official website of the Republic of Korea. Retrieved March 8, 2022, from https://www.korea.net/NewsFocus/HonoraryReporters/view?aarticleI=166 661

Gloria, G. (2021, November 12). Tracing the origins of P-Pop. CNN Philippines. Retrieved February 21, 2022, from https://www.cnnphilippines.com/life/entertainment/Music/2022/11/12/the- origins-of P-Pop.html

Rocamora, J. A. L. (2022, November 16). What the thriving P-Pop scene can learn from K-Pop success. Philippine News Agency. Retrieved May 1, 2023, from https://www.pna.gov.ph/articles/1188741

DO, T. E. (2012). Emergence Of The Korean Popular Culture In The World (thesis).

Bell, Kenton, ed. 2014. “cultural hybridization.” In Open Education Sociology Dictionary. Retrieved May 1, 2023

(https://sociologydictionary.org/cultural-hybridization/).

Bermudez, Rhicki & Cham, Kimberly & Galido, Leila & Tagacay, Karen & Clamor, Wilfred Luis. (2020). The Filipino "Stan" Phenomenon and Henry Jenkins" Participatory Culture: The Case of Generations X and Z.

Salterio, L. C. (2021, February 18). New boy group alamat launches debut single, sings in seven local languages. ABS-CBN. Retrieved February 21, 2022, from https://news.abs cbn.com/entertainment/02/18/21/new-boy- group-alamat-launches-debut-single sings-in-seven-local-languages

Llemit, K. A. (2021, March 3). Alamat is second P-Pop group to make it on Billboard Chart. Philstar.com. Retrieved February 21, 2022, from https://www.philstar.com/entertainment/music/2021/03/03/2081237/alama t-second P-Pop-group-make-it-billboard-200

Llemit, K. A. (2021, August 27). P-Pop groups put the spotlight on Philippine weave: Kathleen A. Llemit. BusinessMirror. Retrieved April 29, 2023, from https://businessmirror.com.ph/2021/08/29/P-Pop-groups-put- the-spotlight-on-philippine-weave/

Japh Dolls. Viva Records. (n.d.). Retrieved February 21, 2022, from https://vivavicor.com/artists/japh-dolls/

Lizan, L. (2021, November 5). BGYO, Bini have 'One Dream'. Daily Tribune. Retrieved February 21, 2022, from https://tribune.net.ph/index.php/2021/11/05/bgyo-bini

have-one-dream/

Iglesias I, T. M. T. (2021, March 6). P-Pop group Alamat merges modern music, cultural heritage. The Manila Times. Retrieved February 21, 2022, from https://www.manilatimes.net/2021/03/06/lifestyle- entertainment/show-times/P-Pop group-alamat-merges-modern-music- cultural-heritage/847663/

De Castro, N. (2022, April 18). Kbyn: Paano naghahanda at hinahasa ang Pinoy pop idols. Patrol.PH. Retrieved April 29, 2023.

Losorata, Y. (2019, September 7). Korea-trained Filipino boy group SB19 goes viral for this reason. PEP.ph. Retrieved February 21, 2022, from https://www.pep.ph/guide/music/145902/korea-trained-filipino-boy-group- sb19- goes-viral-for-this-reason-a4097-20190907

Bautista, R. (2022, March 29). Here we go: 4th impact proves that you shouldn't sleep on the group. NYLON MANILA. Retrieved April 29, 2023, from https://nylonmanila.com/4th-impact-here-we-go-comeback/

Lago, A. T. (2020, July 30). SB19's debut album is a story of their inspiring journey. RAPPLER. Retrieved February 21, 2022, from https://www.rappler.com/entertainment/music/sb19-debut-album-journey- story/

The Fundamentals of a P-Pop music video. (n.d.). Cnn. https://www.cnnphilippines.com/life/entertainment/Music/2021/12/7/behin d-P-Pop-music-video production.html?fbclid=IwAR3eJOh4JEeX26t8WB-

Pm7ibroEJz6iTi4jsA15bqCuOVLWl5BHkmKc2jbM

Guzman, L. de. (2019, November 21). Pinoy boyband SB19 makes it to Billboard's next big sound. cnn. Retrieved February 21, 2022, from https://www.cnnphilippines.com/entertainment/2019/11/21/sb19-

billboard-next-big sound.html

Laffan, D. A., Mr. (2020, June 6). Positive Psychosocial Outcomes and Fanship in K-Pop Fans: A Social Identity Theory Perspective. https://doi.org/10.31234/osf.io/72w58

Schroy, Catherine & Plante, Courtney & Reysen, Stephen & Roberts, Sharon & Gerbasi, Kathleen. (2016). Different Motivations as Predictors of Psychological Connection to Fan Interest and Fan Groups in Anime, Furry, and Fantasy Sport Fandoms. The Phoenix Papers. 2. 148-167. Retrieved from: https://www.researchgate.net/publication/301530927_DifferenD_Motivati ons_as_Predictors_of_Psychological_Connection_tt_Fan_Interest_and_Fa n_Groups_in_Anime_Furry_and_FantFan_Sport_Fandoms

Reysen, S., & Branscombe, N. R. (2010). Fanship and fandom: Comparisons between sport and non-sport fans. Journal of Sport Behavior, 33(2), 176–193.

Dunn, S. (2016, January 1). Fandom and fiction: Adolescent literature and online communities. Iowa State University: Digital Repository. https://doi.org/10.31274/etd-180810-4760

Abd-Rahim, A. (2019, March 12). Online Fandom: Social Identity and Social Hierarchy of Hallyu Fans. Journal for Undergraduate Ethnography, 9(1), 65–81. https://doi.org/10.15273/jue.v9i1.8885

Jang, W.-H., & Song, J.-E. (2015). The influences of K-Pop fandom on the localization of K pop in the Philippines - the case study of Philippine K-Pop Convention, Inc. -. The Joural of the Korea Entertainment Industry Association, 9(3), 30–56. https://doi.org/10.21184/jkeia.2015.09.9.3.31

Jenkins, H. (2013). Textual poachers: Television fans and participatory culture, (2nd ed.). Studies in culture andcommunication. Routledge.

Jeong, Gil Hwa. 2016. A Field Research on the Fandom of K-pop in Brazil. Ph.D Dissertation. Graduate School of Hankuk University of Foreign Studies, Department of Journalism and Broadcasting.