P-Pop Rise: Cultural Hybridization and Participatory Culture of Filipino Gen Z P-Pop Fans on the Recognition of New Generation P-Pop Groups

Authors

  • Efren C. Gimoto Jr. University of the East, Caloocan College of Arts and Sciences Department of Communication
  • Mark Jhon A. Villanueva University of the East, Caloocan College of Arts and Sciences Department of Communication
  • Hazel Grace M. Juaton University of the East, Caloocan College of Arts and Sciences Department of Communication
  • Joan Nicole R. Lazaro University of the East, Caloocan College of Arts and Sciences Department of Communication
  • Regine Mae L. Tubera University of the East, Caloocan College of Arts and Sciences Department of Communication
  • Luis Isaias Z. Dela Cruz University of the East, Caloocan College of Arts and Sciences Department of Communication

DOI:

https://doi.org/10.14456/ncrj.2024.7

Keywords:

New Generation of P-Pop, Cultural Hybridization, Filipino Gen Z, Participatory Culture, Philippine Music Industry

Abstract

This study explores the recognition of new generation P-Pop groups in the Philippine music industry through the cultural hybridization of Do’s Star-Making System and the participatory culture of Filipino Gen Z P-Pop fans on social media.The researchers utilized a triangulation research design involving qualitative and quantitative data collection methods, such as in- depth interviews and a structured online survey. The researchers found that local P-Pop artist management in the Philippines has adopted and modified the Do’s Star-Making System to appeal to Filipino audiences, incorporating Filipino lyrics and traditional and foreign sounds in their songs. Furthermore, there is a correlation between the participatory culture of Filipino GenZ P- Pop fans on social media and the cultural hybridity made by local P-Pop artist management from Do’s Star Making System in forming their New Generation P-Pop groups, thus, rejecting the study’s null hypothesis. Moreover, modifying Do’s Star- Making System through cultural hybridization and the participatory culture of Filipino Gen Z P-Pop fans on social media is essential for recognizing New Generation P-Pop groups in the local music scene. This study could serve as a benchmark for local P-Pop artist management to further enhance the localized training system for young aspiring P-Pop idols—strengthening Filipinos’ growing appeal and support to the P-Pop industry in general.

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Published

01-01-2025

How to Cite

Gimoto Jr., E. C. ., Jhon A. Villanueva, M., Grace M. Juaton, H., R. Lazaro, J. N., L. Tubera, R. M., & Dela Cruz, L. I. Z. (2025). P-Pop Rise: Cultural Hybridization and Participatory Culture of Filipino Gen Z P-Pop Fans on the Recognition of New Generation P-Pop Groups. NIDA Case Research Journal, 16(2), 89–118. https://doi.org/10.14456/ncrj.2024.7