Research on Light Installation Art Design within the Context of Regional Culture: A Case Study at the Guangzhou International Light Festival
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Abstract
This article aims to conduct a design study on light installation artworks incorporating regional culture at the Guangzhou International Light Festival. The research seeks to explore the methodology of designing light installations that are rich in regional cultural characteristics and provide guidelines for artists and creators in this context. The sample of artworks comprises three selected installations from the Guangzhou International Light Festival, while interviews were conducted with 12 audience members, 6 creators, and 1 curator who participated in the festival in 2023. The instruments used for data collection included fieldwork, case studies, and in-depth interviews, guided by Theories of Visual Cultural Studies and WJT Mitchell's Theory of the Image. Data analysis employed descriptive statistics and content analysis.
The research findings indicate that the design of light installation artworks rich in regional culture involves a seven-step process. During the creation process, it is essential to consider the social and historical nature of the work, the audience's interpretation, behavior, and feedback. Tangible representation of visual symbols and the abstract expression of cultural elements emerge as effective means to showcase regional culture in light installation artworks.
In conclusion, the study sheds light on the intricate process of incorporating regional culture into light installation art and provides valuable insights for artists and creators. The identified steps and considerations contribute to a comprehensive understanding of how to infuse cultural richness into these artworks, enhancing their significance and impact within the context of festivals like the Guangzhou International Light Festival.
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