Digital Technology and Information Expression in the Painting Works of Chinese Artists Born in the 1990s in the Era of Globalization

Abstract

This paper aims to explore the integration of digital technology and information expression in the paintings of Chinese artists born in the 1990s amidst the globalization era. Simultaneously, it delves into the intricate representation of art creation, individual, and cultural identity complexities influenced by globalization. The study also delves into artists' profound reflections on the information society. Through a meticulous selection of representative artists born in the 1990s as research subjects, the study employs methods such as semi-structured interviews, descriptive statistics, and content analysis for an in-depth investigation. The findings reveal the following aspects: Firstly, Chinese post-90s artists adeptly incorporate digital technology into their paintings, not just as tools but as active participants in the creative process, thereby enriching the expressive forms of art. Secondly, their artworks profoundly explore global themes, presenting insightful reflections on globalization phenomena and providing a unique perspective for cultural studies. Thirdly, the paintings go beyond being mere expressions of individual cultural identity; they also depict the complexity of identity in the face of globalization. Through visual elements and aesthetic symbols, artists showcase the intricate existence of individuals in the globalizing tide. Finally, artists' profound observations of the information society surpass surface-level awareness of technology, social media, and digital life. Through their paintings, they deeply reflect on these phenomena, demonstrating a unique understanding and critical contemplation of the information society. These findings underscore the artists' ability to flexibly utilize technology, navigate cultural identity, and contemplate the impact of globalization in the digital age. This study provides valuable insights for a profound understanding of the innovative practices and cultural expressions of post-90s Chinese artists in the digital era, offering a fresh perspective for academia, art enthusiasts, and cultural researchers.