Research on the Craft and Social Change: A Case Study of the Ninigou in Huaiyang
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Abstract
Crafts serve as pivotal social artefacts that intricately intersect with the domains of economy, society and ritual practices. This qualitative study delves into the craft and cultural values of Ninigou, scrutinizing their evolution across different developmental stages. Employing fieldwork methods and in-depth interviews, the research aims to achieve three primary objectives. Firstly, it analyzes the transformation of Ninigou as a traditional craft within the context of societal changes. Secondly, it investigates the cultural significance of Ninigou and its societal impact amid periods of social change. Lastly, it explores the evolution of Ninigou within a global context by drawing comparisons with Sia-kaban in Thailand. The findings reveal significant enhancements in Ninigou pottery, attributed to the incorporation of ceramics. The infusion of acrylic paint has enriched its colour palette, while the diversification of shapes demonstrates proactive responsiveness to market demands. This evolutionary process reflects changes in reproduction, expression, and reconstruction. Ninigou symbolizes the protection of nature, ancestral nostalgia, and aspirations for future generations. It embodies the desire for agricultural prosperity and underscores the relentless pursuit of an improved quality of life. In contemporary society, Ninigou has transitioned into a decorative and entertaining item, serving as both a souvenir and an ornament. This shift from hidden cultural traits to outward craft features signifies a progression from sacredness to secularism, ultimately embracing entertainment. The study elucidates the intricate relationship between Ninigou craftsmanship and its cultural significance, offering valuable insights into the dynamic evolution of Ninigou within an evolving social landscape.
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