The Artistic Characteristics of Opera Funded by the Chinese National Arts Fund
Article Sidebar
Main Article Content
Abstract
The present state of Chinese opera, facilitated by the backing of the National Arts Fund, portrays a generally favorable progression marked by significant accomplishments, although it is not without its challenges. Previous studies have indeed concentrated on the creation and dissemination of Chinese opera. However, this study will delve deeper into the subject by exploring the artistic characteristics of operas funded by Chinese National Arts Fund. The samples were 8 operas from the 76 operas funded by the Chinese National Arts Fund during the period from 2014 to 2019. The instruments for collecting data were case study and observation. The analysis data was obtained by content analysis. The research results were found as follows;
Operas funded by the Chinese National Arts Fund exhibit five key artistic characteristics: diversity in script themes, innovative script structures, richness and ethnic elements in music composition, the artistry in singing and performance, and ingenuity in stagecraft design. These distinctive characteristics contribute significantly to the selection of operas for funding by the National Arts Fund.
Understanding these characteristics not only enriches our understanding of contemporary Chinese opera but also paves the way for future works seeking support from the National Arts Fund. Continued support for opera creation and innovation will be pivotal in preserving and advancing the rich legacy of Chinese opera on both national and global platforms.
It was concluded that a deeper understanding of these five characteristics not only enriches our knowledge of contemporary Chinese opera but also paves the way for future works seeking support from the National Arts Fund. Continued support for opera creation and innovation will play a crucial role in preserving and promoting the rich tradition of Chinese opera on both domestic and international stages.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Views and opinions appearing in the Journal it is the responsibility of the author of the article, and does not constitute the view and responsibility of the editorial team.
References
Cui, Y. (2018). Reflections on watching the classic red opera ‘By the Jinsha River’. Drama Literature, (9), 52-56.
Fu, G., & Kuang, C. Y. (2021). The significance of red opera performances in campus cultural communication. Modern Music, (5), 50-52.
Gao, G. N. (2023). The dramatic expression of vocal singing in ethnic opera performance art. Tomorrow’s Trends, 21, 19-21.
Guo, J. M. (2002). Chinese Opera Performance Art from the 1920s to the 1960s. Music Research, (1), 77-84.
Ju, Q. H. (2003). Outline of opera aesthetics. Anhui Literature and Art Publishing House.
Peng, Y. (2019). A new perspective on the creation of ethnic operas with a red theme in the contemporary cultural environment. Sichuan Drama, (8), 63-66.
Sun, T. (2021). A study of music image construction in Chinese Opera. Art Research, (6), 112-114.
Wang, K. (2023). The first systematic practice of contemporary Chinese ethnic opera performance art: A review of the National Art Fund project “Talent Cultivation in Chinese Ethnic Opera Performance”. Journal of Tianjin Conservatory of Music, (2), 61-67+2+129-130.
Wang, Z. J. (2011). Opera composition practice and reflection. Art Criticism, (12), 13-18.
Wen, S. (2021). Reflecting on the ideals of heroes through the ode to human nature in the national opera “Hong Liu Peng Pai”. China Theatre, (2), 22-24.
Wu, X. L. (2022). Application and practice of selected sections of Chinese red classic operas in teaching. Northern Music, (17), 96-98.
Xu, W. Z. (2016). Study on the musical creation of three serious operas in the new era of China. China Federation of Literary and Art Circles Publishing Corporation.
Yu, Q. Y. (2012). Aesthetic psychology of the audience. Modern Publishing House.
Zheng, Z. (2021). The development of contemporary Chinese opera art: A case study of the achievements of the “National Arts Fund” opera projects from 2014 to 2019. China Theatre, (10), 82-84.
Zhou, P. L. Z. (2013). Releasing positive energy, making Chinese opera and musical theatre dreams come true - An interview with wang Zugai. Opera, (3), 6.
Zhu, J. (2019). Reflections on the music composition of the ethnic opera “The red detachment of women”. Musical Works, (5), 76-82.