A Study of the Evolution of Visual Language in Chinese Painting from Traditional Ink Painting to Contemporary Ink Painting

Abstract

This study explores the visual language characteristics of traditional Chinese ink painting and contemporary ink painting, as well as their development trends in the context of globalization and modern artistic movements. The research sample includes 30 traditional ink paintings from six periods spanning from the Sui and Tang Dynasties to the modern era, as well as interviews with 8 contemporary ink painting artists and 2 art critics. The study adopts a literature review and semi-structured interviews for data collection, and uses Gombrich's "Schema and Correction" theory as the theoretical framework, employing iconographic analysis and thematic analysis for data interpretation. The research findings are as follows: 1. The visual language of traditional ink painting is centered on brushwork, composition, and aesthetics, pursuing the artistic ideal of "harmony between form and spirit," deeply influenced by Confucian, Buddhist, and Taoist philosophies, resulting in a unique system of artistic expression. 2. The visual language of contemporary ink painting has undergone significant transformation, with more diverse themes and compositions, as well as the integration of modern artistic elements into brushwork techniques. This shift is profoundly influenced by social and cultural changes in the global context.
3. Gombrich's "Schema and Correction" theory provides a systematic analytical framework for the evolution of the visual language of ink painting. Overall, contemporary ink painting, while expanding the diversity of themes and compositions, has gradually incorporated modern art elements under the influence of globalization and dynamic socio-cultural factors. In conclusion, contemporary ink painting not only expands the diversity of themes and compositions but also integrates modern artistic elements influenced by globalization and social-cultural dynamics.