Integrating Field-Based Learning and Simpson’s Psychomotor Domain in Vocational Zhuang Dance Education
Main Article Content
Abstract
This article aimed to study 1) the development of a Zhuang dance instructional model integrating field-based learning with Simpson’s psychomotor domain, 2) the effectiveness of the model in improving vocational students’ choreographic skills and practical performance, and 3) students’ learning experiences, cultural understanding, and creative development during the instructional process. The sample consisted of 23 first-year vocational students selected through purposive sampling from Guangxi Vocational & Technical Institute of Industry. The instructional intervention was organized as a 16-activity course, moving from cultural experience and skill training to creative choreography and teaching practice. Research instruments included an Innovation Thinking Assessment Scale, a Fieldwork Assessment Scale, semi-structured interviews, reflective journals, and instructor reflection records. Quantitative data were analyzed using descriptive statistics, the Shapiro-Wilk normality test, paired-sample t-tests, and Cohen’s d. Qualitative data were analyzed through thematic coding and then compared with Simpson’s psychomotor stages. Results showed that the instructional model provided a coherent sequence for transforming field observation into movement practice and choreographic creation. Students’ total learning outcome score increased from 73.57 (SD=11.65) to 105.52 (SD=14.28), and the paired-sample t-test indicated a statistically significant improvement, t(22) = 36.17, p < .001, with a large effect size. Gains were found in originality, fluency, flexibility, elaboration, folk-cultural knowledge, and collaborative communication. Qualitative findings further indicated that students moved from mechanical imitation toward culturally informed movement selection, expressive confidence, and more flexible choreographic decision-making. The study suggests that field-based learning and Simpson’s staged psychomotor progression can jointly support heritage transmission and creative skill development in vocational ethnic dance education.
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Views and opinions appearing in the Journal it is the responsibility of the author of the article, and does not constitute the view and responsibility of the editorial team.
References
Bannon, F., & Sanderson, P. (2000). Experience every moment: Aesthetically significant dance education. Research in Dance Education, 1(1), 9–26. https://doi.org/10.1080/146478900 50006550
Beauchamp, F. (2010). Asian origins of Cinderella: The Zhuang storyteller of Guangxi. Oral Tradition, 25(2), 447–496. https://doi.org/10.1353/ort.2010.0023
Bloom, B. S., Englehart, M. D., Furst, E. J., Hill, W. H., & Krathwohl, D. R. (1956). Taxonomy of educational objectives: The classification of educational goals. Handbook I: Cognitive domain. Philadelphia: David McKay Company.
Butterworth, J. (2004). Teaching choreography in higher education: A process continuum model. Research in Dance Education, 5(1), 45–67. https://doi.org/10.1080/1464789042000190870
Chappell, K. (2007). Creativity in primary level dance education: Moving beyond assumption. Research in Dance Education, 8(1), 27–52. https://doi.org/10.1080/14647890701272795
Dabamona, S. A., Cater, C., Cave, J., & Low, T. (2021). Cultural identity through an educational school trip: Voices of native Papuan students. Tourism Management Perspectives, 38, 100807. https://doi.org/10.1016/j.tmp.2021.100807
Giguere, M. (2011). Dancing thoughts: An examination of children’s cognition and creative process in dance. Research in Dance Education, 12(1), 5–28. https://doi.org/10.1080/146478 93.2011.554975
Gill, N., & Gough, D. (2023). The evolution of long-term fieldwork-based teaching in heritage management: Implications for non-placement work integrated learning. Journal of University Teaching and Learning Practice, 20(5), Article 9. https://doi.org/10.53761/1.20.5.09
Lonergan, N., & Andresen, L. W. (1988). Field-based education: Some theoretical considerations. Higher Education Research & Development, 7(1), 63–77. https://doi.org/10.1080/072943688 0070106
Simpson, E. J. (1972). The classification of educational objectives in the psychomotor domain. Vancouver: Gryphon House.
Sööt, A., & Viskus, E. (2014). Contemporary approaches to dance pedagogy: The challenges of the 21st century. Procedia - Social and Behavioral Sciences, 112, 290–299. https://doi.org/10.1016/j.sbspro.2014.01.1167
Zhang, D., Saleewong, D., & Othakanon, L. (2025). Effects of learning management using Simpson’s psychomotor domain on the basketball playing ability of seventh-grade students at Chuangyi School. International Journal of Sociologies and Anthropologies Science Reviews, 5(2), 303–314. https://doi.org/10.60027/ijsasr.2025.5585
Zhao, Y. (2022). Teaching traditional Yao dance in the digital environment: Forms of managing subcultural forms of cultural capital in the practice of local creative industries. Technology in Society, 69, 101943. https://doi.org/10.1016/j.techsoc.2022.101943