A Study of Klon Sab Technique of the Kong Wong Lek on the Sathukarn Repertoire, of Homrong Yen Suite from Kromsilapakorn Score in 1950

Abstract

The objectives of this research were to investigate Klon Sab (or known as Kong Wong Lek's variation techniques) and to examine the role of Klon Sab, in Sathukarn repertoire, an important song included in Homrong Yen suites (evening overture), published by the Fine Arts Department in 1950. The study applied qualitative research which was performed by reviewing the original documents, converting musical notes into Thai musical note, and interviewing an expert. This study focused only on the characteristics and roles of Klon Sab in Sathukarn repertoire. The Klon Sab's characteristics could be divided into two categories of complete phrases [Klon Sab Baeb Somboon] and incomplete phrases [Klon Sab Baeb Mai Somboon]. The role of Klon Sab is not solely to enhance the melody's aesthetic appeal. Rather, it functions as a connecting melody, maintaining a harmonious relationship between the melodies preceding and following it.