Analyzing the Development of Chinese Piano Preludes from 24 Piano Preludes by Liao Shengjing

Abstract

Piano is known as the “king of musical instruments”,originated in Europe, but for the Chinese music industry, its development is still a long way to go, the reason is that the development of Western piano music has long been over the centuries, formed a deep-rooted system of music creation belonging to their own style, in the world of piano art development stage has occupied an undeniably dominant position in the development of piano, undeniably dominant position in the world piano art development stage. This Research Article to study the Objective of this paper is to study:1. Through what period of time did Chinese piano music in the 20th century reach its present achievements? 2. Whether during the development period, the excellent achievements of the western countries in piano and the traditional cultural factors of China have been blended together; 3. How to adhere to the Chinese national traditional music characteristics and style in the creation. In this work, the composer highlights the use of “comprehensive” technology through the content of traditional folk tunes, folk music materials, imitation of traditional Chinese instruments, Chinese piano art under the Western prelude genre, and the innovative development of the Chinese piano prelude genre, which is not only confined to the combination of Chinese folk tunes and Western techniques, but also the mutual integration and penetration of Chinese folk music thinking and Western techniques, in which this work focuses on the vivid vitality and unlimited innovative space of comprehensive theory and technology, opening up a practical and feasible way for us.