Innovation and Inheritance of Guangdong Paper-cutting through Digital Art Integration

Yanzhen Chen Chen; Manoon  Tho-ard

ผู้แต่ง

Yanzhen Chen Academy of Arts and Philosophy, Shinawatra University, Thailand.
Manoon Tho-ard Academy of Arts and Philosophy, Shinawatra University, Thailand.

คำสำคัญ:

Guangdong Paper Cutting, Digital Art, Innovation and Inheritance

บทคัดย่อ

This research consisted of three objectives. They were to 1)study and analyze the historical origins, artistic characteristics, and cultural values of Guangdong paper-cutting in order to understand its cultural foundation, 2) synthesize the practices, achievements, and challenges of integrating Guangdong paper-cutting with digital art through representative case studies and critical evaluation, and 3) establish feasible strategies and pathways for using digital art to promote innovation and sustainable inheritance of Guangdong paper-cutting culture. Research methodology employed a qualitative case study approach, combining literature research, field case analysis, and expert interviews. The study was based on media theory, adopting qualitative research methods, and combing case analysis and cross-case comparison analysis to construct a logical research framework of "input-process-output-feedback. The study proposed four key strategies: the development of an interdisciplinary collaborative mechanism, the establishment of a digital knowledge base and educational platform, the refinement of a cultural authenticity assessment system, and the ecological integration of the creative industry. The final results were found that the integration of digital art and traditional craftsmanship not only sustains the cultural vitality of Guangdong paper-cutting but also provides a sustainable innovation model and theoretical framework for the preservation of intangible cultural heritage.

เอกสารอ้างอิง

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