Phenomenology of Museum: A theoretical suggestion for the ontology of museum exhibitions

Authors

  • นวภู แซ่ตั้ง อิสระ

Keywords:

Phenomenology, exhibition, museum, curator

Abstract

The article discusses the ontology of museum exhibitions on the ground of Martin Heidegger’s idea in “The Origins of the Work of Art”. Phenomenology offers conceptual and methodological frameworks to understand the truth of being with an emphasis on meanings of experiences of human life. In “The Origins of the Work of Art,” Heidegger refers to work of art as an analogy for his explication of phenomenolgy. However, the author will demonstrate in this article that the space of museum exhibition also exemplifies the phenomenological processes discussed in Heidegger’s work. Museum exhibition reveals the truth of being while curator can only take a role of the conveyor of such the truth.

References

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เอกสารภาษาอังกฤษ
Dean, David. 1994. Museum Exhibition: Theory and practice. London: Routledge.
Heidegger, Martin. 1975. “The Origin of the Work of Art.” In Poetry, Language, Thought. Translated by Albert Hofstadter. New York: Harper Perennial Modern Thought.
Heidegger, Martin. 1992. History of the Concept of Time. Translated by Theodore Kisiel. Indiana: Indiana University Press.
Heidegger, Martin. 2008. Being and Time. Translated by John Macquarrie and Edward Robinson. New York: HarperCollins Publishers
Hoffmann Jens (ed.). 2014. Ten Fundamental Questions of Curating. Milan: Mousse Publishing.
Merleau-Ponty, Maurice. 1962. Phenomenology of Perception. London: Routledge.
Obrist, Hans Ulrich. 2014. Ways of Curating. London: Allen Lane.

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Published

2019-08-27