Comics in Thai Performances
Keywords:
Comics, Thai performances, HumorAbstract
This article is part of the doctoral dissertation in Thai Dance, Department of Dance, Chulalongkorn University. The purpose of this study is to focus on the evolution of comics appearing in the history of Thai performances. The results show that the comics have been in existence since the ancient times and have been inherited by transferring the knowledge from generation to generation. The comics can be compared as one of the performance institutes which is based on local tradition. At present, the comics have become a major device to drive business, especially in entertainment media. Regarding the evolution of comics in the history of Thai performances, comics are clearly the output of the entertaining tradition that can adapt itself to be compatible with social contexts, which are also relevant to the demand of the people in each period. Therefore, humor is an important character of Thai people. They can tactfully create humor through various types of shows, which are thought-out ideas leased local identity. Moreover, the comics are the art and wisdom which can properly reflect the nature of Thai people and society in each period.
References
Fine Art Department. (1978). Three Seals Law. Bangkok: n.p. (In Thai)
__________. (1991). Praratcha Phongsawadan Chabap Phraratchahatthalekha. 8th ed. Bangkok: Chumnumsahakornhangpratedthai Printing House. (InThai)
Jitjamnong, D. (1985). Langmanwannasil. Bangkok: Tienwan. (In Thai)
King Rama VI. (1946). The Origin of The Ramakien. Bangkok: Phrajan Printing House. (In Thai)
Malakul, P. (1975). The Performing Arts of King RAMA VI. Bangkok: Thaiwatthanapanich Printing House. (In Thai)
Melanon, N. (1998). Play and Comic Traditional Play. Bangkok: Odien Store Publisher. (In Thai)
Nakhawatchara, J. (1978). The Basic Theory of Literature. Bangkok: Doungkamol. (In Thai)
Nimnetipan, S. (1989). Thai Performing Arts. Banfkok: Thaiwatthanapanich Printing House. (In Thai)
Panichlocharoen, W. (2011). Social Construction of Humour in Thai Sitcom. Doctoral Dissertation, Ph.D. in Communication Arts, Faculty of Communication Arts, Chulalongkorn University, Thailand. (In Thai)
Prangwattanakul, S. (1984). Thai Performing Arts. Bangkok: Amorn Printing House. (In Thai)
Sanook. (2014). The Conclusion of Bangrak Soi 9. Retrieved from http://movie.sanook.com/31903/Sereethanawong, M. (1996). An Analysis of the Form, Content and Presentation of Television and Video Comedy Programmes. The Degree of Master of Arts, in Mass Communication, Department of Mass Communication, Graduate School, Chulalong korn University, Thailand. (In Thai)
Sitthitanyakit, P. (2007). Likay. Bangkok: Bantueksiam Publisher. (In Thai)
Somdejphramahasamanajao Kromaphrapawareswariyalongkorn. (2008). 3 Archieves of Thai Astrologer. Bangkok: Menuscript. (In Thai)
Tramot, M. (1961). Thai Plays. Bangkok: Phrajan Printing House. (In Thai)
Virulrak, S. (1979). Likay. Bangkok: Hongphapsuwan Printing House. (In Thai)
____________. (2000). The Evolution of Thai Dance in Ratanakosin Period 2325-2477BE. Bangkok: Chulalongkorn University Publisher. (In Thai)
Wongtes, S. (2016). Thai Comedy, Folk Plays, Ayuthaya Period Political Satire. Retrieved from http://www.sujitwongthes.com/2016/02/siam11022559/
Writtenepisode. (2009). The Conclusion of Phrarama 9 Café. Retrieved from http://www.writ tenepisodes.com/watch- video/zKMchLnuN3A/%E0%B8%A3
Yaila-or, C. (2011). The Humourous Communication of Humourist in “Korn Buy Klaay Kried Television Programme. The Degree of Master of Arts, in Mass Communication, Department of Mass Communication, Faculty of Communication Arts, Chulalongkorn University, Thailand. (In Thai)
Yupho, T. (1973). Dance Theater or Thai Dance. Bangkok: Siwaporn Printing House. (In Thai)
Downloads
Published
How to Cite
Issue
Section
License
ผู้เขียนบทความต้องยินยอมในข้อกำหนดต่าง ๆ ของวารสารก่อนส่งบทความตีพิมพ์
