Model of Creativity under Positive Emotional Regulation

Main Article Content

Feng Gao

Abstract

Creativity is becoming increasingly important in modern society, and many studies have investigated the factors that influence it. Among these factors, attention and positive emotion are considered crucial, as they have been shown to have a significant impact on creativity. However, the relationship between attention, positive emotion, and creativity among Chinese art college students has not been fully explored. This study aimed to address this gap by examining the relationships between these variables as well as the moderating effect of positive emotion on the relationship between attention and creativity. To achieve this, a survey was conducted using a questionnaire among 407 students from three art colleges in China. The data was analyzed using regression analysis to determine the relationships between the variables. The results showed that attention and positive emotion have a positive impact on creativity. Furthermore, positive emotions can enhance the positive relationship between attention and creativity. In other words, positive emotion can help improve performance in attention and creativity, which are crucial for enhancing creativity among art college students. These findings have significant implications for educational practices. Educators can enhance students' creativity by cultivating their attention and positive emotions.

Article Details

How to Cite
Gao, F. (2023). Model of Creativity under Positive Emotional Regulation. Journal of Multidisciplinary in Humanities and Social Sciences, 6(4), 1833–1854. Retrieved from https://so04.tci-thaijo.org/index.php/jmhs1_s/article/view/264751
Section
Research Articles

References

Alzahrani, M., Alharbi, M., & Alodwani, A. (2019). The effect of social-emotional competence on children academic achievement and behavioral development. International Education Studies, 12(12), 141-149.

Amabile, T. M. (1996). Creativity in Context: Update to the Social Psychology of Creativity. Westview Press.

Amabile, T. M. (2020). Creativity, artificial intelligence, and a world of surprises. Academy of Management Discoveries, 6(3), 351-354.

Beaty, R. E., & Silvia, P. J. (2013). Why do ideas get more creative across time? An executive interpretation of the serial order effect in divergent thinking tasks. Psychology of Aesthetics, Creativity, and the Arts, 7(3), 309-319.

Brown, K. W., & Ryan, R. M. (2003). The benefits of being present: Mindfulness and its role in psychological well-being. Journal of Personality and Social Psychology, 84(4), 822-848.

Bruner, E., & Colom, R. (2022). Can a Neandertal meditate? An evolutionary view of attention as a core component of general intelligence. Intelligence, 93, 101668.

Burnham, K., Anderson, D., Burnham, P., & Anderson, R. (2010). Model Selection and Multimodel Inference: A Practical Information-Theoretical Approach. New York: Springer.

Cak, S., Say, B., & Misirlisoy, M. (2020). Effects of working memory, attention, and expertise on pilots’ situation awareness. Cognition, Technology & Work, 22(1), 85-94.

Chen, M. H., & Tseng, M. (2021). Creative entrepreneurs' artistic creativity and entrepreneurial alertness: The guanxi network perspective. International Journal of Entrepreneurial Behavior & Research, 27(1), 56-73.

Daniel, R. (2021). Exploring creativity through artists’ reflections. Creativity Studies, 14(1), 1-17.

Demirtaş, A. S. (2020). Cognitive flexibility and mental well-being in Turkish adolescents: The mediating role of academic, social and emotional self-efficacy. Anales de Psicología/Annals of Psychology, 36(1), 111-121.

Dietrich, A., & Kanso, R. (2010). A review of EEG, ERP, and neuroimaging studies of creativity and insight. Psychological Bulletin, 136(5), 822-837.

Dissanayake, E. (2019). What art is and What Art does: An Overview of Contemporary Evolutionary Hypotheses. Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity, and the Arts (pp. 1-14). Routledge.

Dou, X., Li, H., & Jia, L. (2021). The linkage cultivation of creative thinking and innovative thinking in dance choreography. Thinking Skills and Creativity, 38(1), 189-206.

Fancourt, D., & Finn, S. (2019). What is the Evidence on the Role of the Arts in Improving Health and Well-being? A Scoping Review. World Health Organization. Regional Office for Europe.

Fancourt, D., Garnett, C., Spiro, N., West, R., & Müllensiefen, D. (2019). How do artistic creative activities regulate our emotions? Validation of the emotion regulation strategies for artistic creative activities scale (ERS-ACA). PloS one, 14(2), e0211362.

Fernandez, N. B., Trost, W. J., & Vuilleumier, P. (2019). Brain networks mediating the influence of background music on selective attention. Social Cognitive and Affective Neuroscience, 14(12), 1441-1452.

Finke, R. A., Ward, T. B., & Smith, S. M. (1992). Creative Cognition: Theory, Research, and Applications. MIT Press.

Forbes, M., & Bartlett, I. (2020). ‘This circle of joy’: Meaningful musicians’ work and the benefits of facilitating singing groups. Music Education Research, 22(5), 555-568.

Fornell, C., & Lacker, D. F. (1981). Evaluating structural equation models with unobservable variables and measurement error. Journal of Marketing Research, 18(1), 39-50.

Fredrickson, B. L. (1998). What good are positive emotions?. Review of General Psychology, 2(3), 300-319.

Frith, E., Kane, M. J., Welhaf, M. S., Christensen, A. P., Silvia, P. J., & Beaty, R. E. (2021). Keeping creativity under control: Contributions of attention control and fluid intelligence to divergent thinking. Creativity Research Journal, 33(2), 138-157.

Graciano, P., Lermen, F. H., Reichert, F. M., & Padula, A. D. (2022). The impact of risk-taking and creativity stimuli in education towards innovation: A systematic review and research agenda. Thinking Skills and Creativity, 39(1), 207-220.

Greenawalt, K. E., Orsega-Smith, E., Turner, J. L., Goodwin, S., & Rathie, E. J. (2019). The impact of “the art of happiness” class on community dwelling older adults: A positive psychology intervention. Activities, Adaptation & Aging, 43(2), 118-132.

Heiser, M. (2021). Popular Music, Power and Play: Reframing Creative Practice. Bloomsbury Publishing USA.

Henriksen, D., Richardson, C., & Shack, K. (2020). Mindfulness and creativity: Implications for thinking and learning. Thinking Skills and Creativity, 37(4), 100-116.

Hernández-Torrano, D., & Ibrayeva, L. (2020). Creativity and education: A bibliometric mapping of the research literature (1975-2019). Thinking Skills and Creativity, 37(5), 162-175.

Jeon, M., Fiebrink, R., Edmonds, E. A., & Herath, D. (2019). From rituals to magic: Interactive art and HCI of the past, present, and future. International Journal of Human-Computer Studies, 13(1), 108-119.

Kaufman, J. C. (2019). Self-assessments of creativity: Not ideal, but better than you think. Psychology of Aesthetics, Creativity, and the Arts, 13(2), 187-198.

Kilis, S., & Yildirim, Z. (2019). Posting patterns of students' social presence, cognitive presence, and teaching presence in online learning. Online Learning, 23(2), 271-286.

Kumar, A. (2022). Engaging with Meditative Inquiry in Teaching, Learning, and Research: Realizing Transformative Potentials in Diverse Contexts. Routledge.

Liu, Y., Chen, J., & Chen, X. (2019). The relationship between student learning motivation and attention: A cross-sectional study of Chinese college students. Frontiers in Psychology, 10(4), 239-252.

Lucchiari, C., Sala, P. M., & Vanutelli, M. E. (2019). The effects of a cognitive pathway to promote class creative thinking. An experimental study on Italian primary school students. Thinking Skills and Creativity, 36(1), 156-166.

Mastandrea, S., Fagioli, S., & Biasi, V. (2019). Art and psychological well-being: Linking the brain to the aesthetic emotion. Frontiers in Psychology, 10(4), 739-752.

Mastria, S., Agnoli, S., & Corazza, G. E. (2019). How does emotion influence the creativity evaluation of exogenous alternative ideas?. PloS one, 14(7), e0219298.

Mavri, A., Ioannou, A., & Loizides, F. (2021). Cross-organizational communities of practice: enhancing creativity and epistemic cognition in higher education. The Internet and Higher Education, 49(1), 100792.

Morales-Rodríguez, F. M., & Pérez-Mármol, J. M. (2019). The role of anxiety, coping strategies, and emotional intelligence on general perceived self-efficacy in university students. Frontiers in Psychology, 10(1), 168-179.

Morejón, J. L. (2021). Dance improvisation research: Embodied self-esteem and self-confidence through glass art. Research in Dance Education, 22(2), 174-189.

Pelowski, M., & Chamberlain, R. (2023). Where do artists come from? A review of the ‘Typical’ visually creative life and artistic brain as a basis for discussing neurodivergence or neurodegenerative change. Art and Neurological Disorders: Illuminating the Intersection of Creativity and the Changing Brain, 22(1), 25-63.

Rawlings, D., & Locarnini, A. (2007). Validating the creativity scale for diverse domains using groups of artists and scientists. Empirical Studies of the Arts, 25(2), 163-172.

Romero Naranjo, F. J., Sayago-Martínez, R., Jiménez-Molina, J. B., & Arnau-Mollá, A. F. (2022). Pilot study of the assessment of anxiety and attention through body percussion and neuromotricity in secondary school students in physical education, music and visual arts classes. Federación Española de Asociaciones de Docentes de Educación Física, 47(1), 573-588.

Sawyer, R. K. (2011). Explaining Creativity: The Science of Human Innovation. Oxford University Press.

Schachter, S., & Singer, J. E. (1962). Cognitive, social, and physiological determinants of emotional state. Psychological Review, 69(5), 379-399.

Schiavio, A., Biasutti, M., & Antonini Philippe, R. (2021). Creative pedagogies in the time of pandemic: A case study with conservatory students. Music Education Research, 23(2), 167-178.

Schoevers, E. M., Leseman, P. P., & Kroesbergen, E. H. (2020). Enriching mathematics education with visual arts: Effects on elementary school students’ ability in geometry and visual arts. International Journal of Science and Mathematics Education, 18(1), 1613-1634.

Scopelliti, M., & Tiberio, P. (2020). Effects of a brief mindfulness-based intervention on attention and executive functions in adolescents with ADHD. Mindfulness, 11(6), 1436-1446.

Seligman, M. E. P. (2002). Authentic Happiness: Using the New Positive Psychology to Realize your Potential for Lasting Fulfillment. New York: Free Press.

Shin, J. E., Han, K. S., Jung, H. C., Park, B. G., & Choe, S. U. (2002). What are the differences between scientifically gifted and normal students in the aspects of creativity?. Journal of The Korean Association for Science Education, 22(1), 158-175.

Smyrnaiou, Z., Georgakopoulou, E., & Sotiriou, S. (2020). Promoting a mixed-design model of scientific creativity through digital storytelling: The CCQ model for creativity. International Journal of STEM Education, 7(1), 1-22.

Stanovich, K. E., & West, R. F. (2000). Advancing the rationality debate. Behavioral and Brain Sciences, 23(5), 701-717.

Theorell, T., & Bojner Horwitz, E. (2019). Emotional effects of live and recorded music in various audiences and listening situations. Medicines, 6(1), 16-30.

Torrance, E. P. (1962). Non-test ways of identifying the creatively gifted. Gifted Child Quarterly, 6(3), 71-75.

Wallas, G. (1926). The Art of Thought. Harcourt Brace.

Warr, M., Henriksen, D., Mishra, P., & Deep-Play Research Group. (2019). Creativity and expressive arts, performance, physicality and wellness: A conversation with Dr. Paula Thomson and Dr. Victoria Jaque. Tech Trends, 63(1), 102-107.

Watson, D., Clark, L. A., & Tellegen, A. (1988). Development and validation of brief measures of positive and negative affect: The PANAS scales. Journal of Personality and Social Psychology, 54(6), 1063-1070.

Yiend, J. (2010). The effects of emotion on attention: A review of attentional processing of emotional information. Cognition and Emotion, 24(1), 3-47.