The Identity of Gannan Hakka Folk Songs in the Southern Gan River Basin in Jiangxi Province
Article Sidebar
Main Article Content
Abstract
This study aimed to (1) explore the musical connotation and cultural context of Gannan Hakka Folk Songs (2) investigate the evolution and inheritance of Gannan Hakka Folk Songs and (3) examine the process through which Gannan Hakka people construct their identity through folk songs. The sample of this study was 9 renowned inheritors of Gannan Hakka folk songs and 1400 individuals who have knowledge in Gannan Hakka folk songs from the Gannan Hakka community residing in the 18 counties (cities, districts). The methods for conducting the research were mixed method. The instruments for collecting data were document analysis, expert interview, and questionnaire survey. The data gathered from the methods were analyzed by descriptive statistics and content analysis. The research results were as follows;
1. Gannan Hakka folk songs are known for their emotional depth and local uniqueness, expressing life, love, and family sentiments. These songs embody regional characteristics in tunes, rhythms, and singing styles, preserving cultural heritage and historical insights. They are integral to local identity.
2. Since its origin, Gannan Hakka folk songs have evolved while retaining traditional elements, influenced by modern music genres. Inheritance methods, including oral traditions, education, and cultural recognition, ensure authenticity and propagation, preserving their cultural essence.
3. The process through which the Gannan Hakka people construct their identity through folk songs encompasses several aspects, which are historical tracing, cultural heritage and integration, dialect transformation and development, emotional expression and resonance, and social interaction and influence.
This study provides valuable insights into the intricate interplay between ethnic music, cultural heritage, and identity, deepening our understanding of the multifaceted dynamics within specific cultural contexts.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Views and opinions appearing in the Journal it is the responsibility of the author of the article, and does not constitute the view and responsibility of the editorial team.
References
Chen, J. F. (2018). Literary Value and Cultural Connotation of Hakka Folk Songs. Journal of Hanshan Normal University, 2(39), 22-29.
Cheng, Y. (2003). An Outline of Chinese Culture. Foreign Language Teaching and Research Press.
Dai, D. D., & Gong, L. C. (2022). The Inheritance and Innovation of Hakka Folk Songs in Universities: A Case Study of Jiangxi. Music Life, 1, 73-75.
Deng, L., & Ma, L. (2023). Research on the Historical Value of Narration in Gannan Hakka Folk Songs. Visual Perspective, 15, 104-106.
Deng, L., Lu, M., & Cai, Q. (2017). Study on Rhythm and Translation Strategies of Hakka Folk Songs in Gannan. Journal of Mudanjiang College of Education, 174(01/02), 12-35.
Duranti, A. (1997). Linguistic Anthropology. Cambridge: Cambridge University Press.
Gannan Normal University. (18 August 2023). What is Hakka Sport? GNNU. Retrieved from https://tyxy.gnnu.edu.cn/52/d2/c4988a21202/page.htm
Huang, M. (2018). Overseas Dissemination Strategies of Hakka Folk Songs in Gannan in the Context of the New Era. Northern Music, (20), 46-47.
Huang, M., & Deng, W. M. (2019). Study on strategies of local universities participating in Hakka folk song dissemination in Gannan. Yellow River of the Song, 23, 60-61.
Huang, M., & Huang, Y.-Y. (2020). Holding On, Departing, Breaking Through: A Discussion on the Dissemination Agents of Contemporary Hakka Folk Songs in Gannan. Yellow River of the Song, (19), 66-68.
Hymes, D.-H. (1963). Objective and Concepts of Linguistic Anthropology. American Anthropological Association.
Jiang, X. (2015). Reflection of She-Hakka Ethnic Relations in the Music of Taoist Rituals in Gannan Jiangxi: From the Perspective of "Identity". Journal of Gannan Normal University, 1, 3-7.
Lin, X. P. (2005). Analysis of Hakka Cultural Characteristics. Journal of Southwest University for Nationalities, (12), 72-75.
Luo, N., Yan, J., & Luo, H. (2022). Gan Nationality Xingguo Folk Songs Research—Taking the Red Song "Su Qu Gan Bu Hao Zuo Feng" as an Example. China National Exhibitions, 12, 55-58.
Lustig, M. W. (2013). Intercultural Competence: Interpersonal Communication Across Cultures. New York: Pearson.
Peterson, J., & Lavengood, M. (2021). Open Music Theory. Creative Commons Attribution Share Alike.
Ren, G.-Y. (2004). Principal Theories of Ecological Anthropology and its Development. Heilongjiang National series, (5), 86-91.
Shi, L. (2023). Oral History and the Inheritance and Development of Gannan Hakka Folk Songs. Liaoning Youth, 8, 145-146.
Steward, J. H. (1955). Theory of Culture Change: The Methodology of Multilinear Evolution. Urbana, IL: University of Illinois Press.
Wang, Q. (2021). Artistic Characteristics of Hakka Folk Songs in Southern Jiangxi and Their Transmission in Rural Folk Tourism. Tourism Overview, 1(12), 12-15.
Xie, D. (2021). Characteristics, Protection, and Inheritance of Hakka Folk Songs. China National Exhibitions, 24, 62-64.
Yang, F. (2007). Discussion on the Ethnic Characteristics of Hakka Folk Songs. Journal of Jixi University, (4), 91-93.
Zhang, J. (2008). Colorful Gan Nan Hakka Folk Songs. Cang Sang, (5), 232-233.
Zhang, Y. (2020). Research on Hakka "Harmony" Culture and Its Cross-cultural Communication Strategies. Modern and Ancient Cultural Creation, 42, 36-37.
Zheng, W.-T. (2019). Research on the Inheritance and Development of Hakka Folk Songs in Southern Jiangxi. Appreciation, (30), 9-15.
Zhou, Q., & Hu, Z. (2020). An Oral History Study of Gannan Hakka Folk Songs. Popular Literature and Art, (23), 105-106.
Zhou, X.-H. (2008). Identity Theory: Analytical Pathways in Sociology and Psychology. Journal of Social Sciences, (4), 46-53+187.
Zhu, D., & Li, B. F. (2021). Hakka Folk Songs in Gannan amid Social Changes: A Study Based on Oral History of Intangible Cultural Heritage Inheritors. Appreciation, (2), 23-25.
Zhu, D., & Li, B.-F. (2021). The Hakka Folk Songs of Gannan in the Context of Social Change: An Oral History Study Based on Intangible Cultural Heritage Inheritors. Art Appreciation, (6), 56-57.