Thematic Lyric and Language Usage Techniques in Thai Country Music of Jenpob Jobkrabuanwan

Abstract

This qualitative research article aimed to explore 1) the thematic lyric and 2) the language usage technique of Thai country music, commonly known as "Luk Tung." The study employed structural analysis theory to decode the underlying concepts conveyed by the composer as well as to analyze the artistic use of words and imagery, termed language usage. The study selected four target groups of key informants through purposeful sampling. The research tools used included document synthesis aligned with the objectives, and there were two types of interviews: structured and unstructured. The study seeks to elucidate the nuances of thematic elements and linguistic expressions in Thai country music, contributing to a deeper understanding of this cultural phenomenon.

The research results pertaining to the thematic lyrics indicate that Jenpob Jobkrabuanwan composed his works between the years 2538-2540 B.E. (1995-1997). The examination of a total of 13 songs revealed four main themes: love, social issues, documentaries, and self-portraits. The research results related to the language usage technique found that Jenpob Jobkrabuanwan adopted two linguistic approaches: using words, including the use of repetition, and using double collateral. Jenpob Jobkrabuanwan employed interrogative words and rhetorical devices such as metaphors, symbols, nouns, axioms, and personifications.