The Influence of Music Education Management on the Quality of University’s Public Education in Hunan, China
คำสำคัญ:
Music Education Management, ; the Quality of University, Public Educationบทคัดย่อ
The research objective was 1) to study the relationship between the Music Education Management factors and the quality of public music education in Universities, 2) to study the Music Education Management factors effected to the quality of public music education in Universities, and to design the management model of public music education in Universities. Online questionnaires were the tool to collecting data from 400 samples. Research Statistical included frequency, mean, percentage, standard deviation, t-test, ANOVA, and multiple regression analysis. IOC was conducted by 5 experts, value equal 1.0. Cronbach’s Alpha average value was 0.888, the KMO value of the samples were 0.929. The approximate chi-square value of Bartlett’s sphericity test was 15182.498, and the significance level sig value was 0.00, less than 0.05, indicating this questionnaire had good validity.
Result of this research found: the multiple regression analysis was Customer Satisfaction of Huagu Opera Troupe (Y1) be able from Constant value (0.122)+ Resource Allocation of the Troupe (X2), Customer Demand (X5), Internal Staff Management (X1), The Troupe’s Ability to Integrate Resources (X3), The Impact of National Policy (X6), and Marketing Promotion of the Troupe (X4), respectively, Satisfaction Forecasting at 39.60% at statistical significant level =0.01, other factors could be forecast at 60.10%.
References
Caiwu Fu. ( 2013). Art Performance Group Management (Master’s thesis). Wuhan: Hubei People's Publishing House.
Chen Jie. (2011). The performing arts market: this year’s great efforts. Beijing Business News, p.26.
Dajing Xie. (2012). Art Management(Master’s thesis). Beijing: Law Publishing House.
Dajing Xie. (2007). Management and Operation of Performing Arts(Master’s thesis). Shanghai: Shanghai Music Publishing House.
Fenggan and Kunli. (2019). The Close View of the Media of Art——On the Paradigm of Media Environment in the Study of Art Communication. Journal of Southeast University (Philosophy and Social Science)，p.5, 107-115, 150-151.
Hualong Wang & Jun Sang. (2018). Investigation on the inheritors of Jinghe opera in Jianghan Plain and protection measures. Chinese Culture Forum, p.3.
Huaisheng Qiu & Liuyuan Lu. (2016). A Brief Discussion on the New Trends of Local Opera and the Development of Cultural Industry——Taking Shanxi as an Example. Journal of Shanxi University (Philosophy and Social Science Edition), 39(2), p.141-144.
Hui Zhou. (2017). Exploration and Construction of Modern Narrative Mode of Opera Stage by Directors (Master’s thesis). Shanghai Theatre Academy, Shanghai province, China.
Jiajia Lui, Yan Zhang. (2020). Analysis of Inheritage Value and Protection Principle of Hunan Huagu Opera: Base on Media Integration Background. Proceeding of 2020, 2nd International Conference on Humanities, Cultures, Arts, and Design (ICHCAD 2020), p.1-14.
Junjie Zhang. (2014). Research on Inheritance and Development of Wu Opera in a Pluralistic Pattern (Master’s thesis). Shandong University, Shandong province, China.
Lingdi Lv. (2019). Research on the Intangible Heritage Opera Inheritors in Northern Anhui and the Protection Countermeasures——Taking Fuyang as an Example. Journal of Huaihua University.
Lu Zhao. (2014). Investigation and Research of Jincheng Ming Feng Opera Troupe (Master’s thesis). Shanxi Normal University, Shanxi province, China.
P. Agid, J. Tarondeau. (2010). The Management of Opera: An International Comparative Study. New York: Palgrave Macmiian.
Pan Shi. (2015). Research on Music Educational Inheritance of Yiyang Huagu Opera (Master’s thesis). Guangxi Normal University, Guangxi province, China.
Paula Marincola, Robert Storr, Kathy Halbreich, Dave Hickey. 2001. Curating Now: Imaginative Practice, Public Responsibility, India: Philadelphia Exhibitions Initiative.
Qi Yin, Chen Hengzhe, Yan X.i (2011). ‘Made in China’ theatrical art gradually enters the international market. China Radio International, p.13.
Shen Li. (2016). Human as the Core Issue: Rethinking the Protection and Inheritance of Intangible Cultural Heritage. Journal of Beijing Dance Academy, 05, p.49-53.
Shengmin Wang. (2013). Promotion of Drama Advertising on Drama Consumption in Modern Shanghai：Using Meilanfang＇s Performing Advertisement in ＂Declaration＂as the Research Subject. Modern Advertising, 6 , p.44-50.
Su Zhenhua. (2020). An Analysis of the "Discourse" of the Inheritor of Jinghe Opera. Music Exploration, 3, 23-29.
Wang Liyuan. (2011). Private troupes struggle with talent issues while state-owned troupes look forward to branding. China Daily, 22.
Xia Hong. (2020). Thoughts on the Development of Contemporary Quyi Art under the Background of Integration of Culture and Tourism. Variety Show, p.5, 8-9.
Xin Huang. (2014). Preliminary exploration on the development and operation Status of Contemporary Private Troupes in China (Master’s thesis). Chinese Academy of Arts.
Ya Wang. (2015). Investigation Report of Pu Troupe in Wen Xi County (Master’s thesis). Shanxi Normal University, China.
Yanqing Zhang. (2014). Research on Shanxi opera market (Master’s thesis). Shanxi normal university. Doctoral Dissertation.
Yanwen Xu. (2010). Research on the Status Quo, Problems and Countermeasures of Changsha Huagu Opera Class (Master’s thesis). Central South University.
Yicheng Chen & Tingxin Wang. 2020. The Enlightenment of Hamlet of the British National Theatre’s Version on the Integration of Art Media in the Live Stream Theatre Industry. Hundred Schools In Arts, 2, 109-113.
Yongbei Zhu. (2018). The Main Problems and Development Ideas of the Inheritance of Huagu Opera in Hunan Province. Contemporary Music, (12), 16
Yongbei Zhu. (2018). The Inheritance Value and Protection Principle of Huagu Opera in Hunan Province. Music World. 53-56
Yong Zhou. (2017). Urban Space Expansion and Cultural Connotation Inheritance of Huagu Opera in Hunan Province. City Journal38 (11/06). 84-85.
Yongyuan Jia. (2012). Research on the Operation Mode of Commercial Opera (Master’s thesis). Yunnan Art University, Yunnan Province, China.
Yuanjiao Pu & Zhiyong Yan. (2014). Evolutionary Paradigm and Protection Strategy: The Chinese Dimension of Intangible Cultural Protection in the Process of Urbanization. Tianjin People's Publishing House, 264-270.
Yuanshi Wang & Zongcai Qin. (2015). Research on the Promotion of Urban Residents' Local Opera Cultural Consumption. Cultural Industry Research， 3， 59-67.
Yuanshi Wang & Zongcai Qin . (2015). On the Promotion of Urban Residents' Local Opera Cultural Consumption-A Case Study on Hefei Lu Opera. Cultural Industry Research, 3, 59-67.
Zheng Wang. (2011). 2003-2010: Transformation of the Management Mode of Private Troupes in Taizhou (Master’s thesis). Hangzhou. Zhejiang Normal University.
Zheng Zheng. (2008) .Research on the survival status of folk professional troupes of Gezi opera in southern Fujian Xiamen(Master’s thesis). Xiamen University.
Zheng Jie. (2011). Route map for reform points to increased rate of enterprise reform for state-owned art troupes. Beijing Business News, 23.
Downloads
เผยแพร่แล้ว
How to Cite
ฉบับ
บท
License
Copyright (c) 2023 มหาวิทยาลัยมหามกุฏราชวิทยาลัย
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
บทความวิชาการและบทความวิจัยในวารสารฉบับนี้ถือเป็นความรับผิดชอบของผู้เขียนเท่านั้น บทความที่ได้รับการตีพิมพ์ในวารสารบัณฑิตศาส์น ถือเป็นลิขสิทธิ์ของมหาวิทยาลัยมหามกุฏราชวิทยาลัย ตามพระราชบัญญัติลิขสิทธิ์
