An Empirical Analysis of Oil Painting Techniques Under Opera Symbols
คำสำคัญ:
Symbolism Oil painting Types of facial cosmeticsบทคัดย่อ
Chinese opera has a powerful and unique symbolic identity. This paper focuses on the symbolic symbols in the multiple and complex symbolic systems of the opera and uses its own creations as an example to start a discussion on the visual images. Through the system of meaning under symbolization and the extended transcendental value of the connotative meaning of the opera are reconstructed in the visual images, exploring the other side of human nature and forming an intricate and contradictory deconstruction body. Opera's unique symbol system throughout the performance process of the opera, injecting new life into traditional Chinese culture, especially in the stage performance to strengthen the charm of opera, enriching the diversified and profound art theater.
References
Adorno, R.(2011).Kellner (USA), translated by Zhang Zhibin, <>, Central Compilation and Translation Press, 2011, 59 pp.
Burke, R. 1966. Essays on Life, Literature, and Method. US, CA: Longman.p.3-6.
Deluze,R.2011. Kellner (USA), translated by Zhang Zhibin, Postmodern Theory - A Critical Questioning, Central Compilation and Translation Press, 95 pp.
Eco, Interpretation and Overinterpretation, Beijing: Sanlian Bookstore, 1997, 078.
Joseph, Korkelmans (USA)(1996): Being and Time, translated by Chen Xiaowen,Business Press, 1996.p. 5-10
Langer,R.A New Interpretation of Philosophy, Beijing: Beijing Broadcasting Institute Press, 2002, 028 p.
Pierce,R.(2011). Kellner (USA), translated by Zhang Zhibin, <>, Central Compilation and Translation Press, 2011, 259 pp.
Taylor, R. (1998). Semiotics. Journal of Semiotics, 8(1), 23-28. DOI:
Wang Ke,Symbolic Design and Broadcast Communication, Beijing: Guangming Daily Press 2017, 010 p.
Zhao Yihang, Semiotics Principles and Deduction Nanjing: Nanjing University Press,
, 001-003
Downloads
เผยแพร่แล้ว
How to Cite
ฉบับ
บท
License
Copyright (c) 2024 มหาวิทยาลัยมหามกุฏราชวิทยาลัย
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
บทความวิชาการและบทความวิจัยในวารสารฉบับนี้ถือเป็นความรับผิดชอบของผู้เขียนเท่านั้น บทความที่ได้รับการตีพิมพ์ในวารสารบัณฑิตศาส์น ถือเป็นลิขสิทธิ์ของมหาวิทยาลัยมหามกุฏราชวิทยาลัย ตามพระราชบัญญัติลิขสิทธิ์