The Musical Characteristics of the Pudong Faction in the Pipa Genre
คำสำคัญ:
Pipa, Faction, art of playing, characteristics of musical styleบทคัดย่อ
The three purposes of this research can be outlined as follows:1)To study the historical development of the Pudong Faction.2) To study the representative performance techniques of the Pudong Faction.3) To summarize the performance style and musical characteristics of the Pudong Faction. In order to provide the original scores of the Pudong Faction to the greatest extent possible, combined with quantitative research and qualitative research, supported by the data provided by relevant literature and questionnaire surveys, the respondents included 132 professional music colleges and students of pipa teachers and students, and 280 social pipa amateurs.
The study shows that the pipa genre refers to a specific pipa performance style, and the genre is a kind of group artistic activity, representing the collective artistic style. The Pudong Faction is one of the five major Factions of Chinese pipa and occupies an important position in Chinese pipa art. As an important part of China's excellent traditional culture, its development and dissemination are of great significance to the dissemination of Chinese culture and world cultural exchanges. Based on this, the research topic of this paper focuses on the performance art of the Pudong Faction and studies the characteristics of the pipa music of the Pudong Faction.
References
Shi, Y. (2021). Research on the inheritance of the modern Jiangsu Pipa school from the perspective of inheritance methods. Art Hundred Schools, 37(05), 125-131+138.
Wu, H. J., & Sun, L. W. (2014). An Overview of the Development of Chinese Pipa Art in the 20th Century. Journal of Tianjin Conservatory of Music, 4, 35-43.
Wang, Y. J. (2020). The Influence of Traditional Pipa Factions on the Development of Pipa Today. Art Review, 24, 28-31.
Zhou, H. (2011). On the artistic characteristics of Pudong Faction pipa playing style - taking "Yangzhengxuan Pipa Score" as an example. Huang Zhong (Journal of Wuhan Conservatory of Music, China), 3, 159-167.
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