Mianzhu Woodblock New Year Paintings: Designs of Cultural and Creative Products for Inheritance and Development of Cultural Heritage
Keywords:
Mianzhu Woodblock New Year Paintings, protection and inheritance, cultural heritage, Design of Cultural and Creative ProductsAbstract
The research purposes of this article are: (1) To explore the historical development of Mianzhu Woodblock New Year Paintings. (2) To examine the current semiotic situation and cultural challenges of Mianzhu Woodblock New Year Paintings. (3) To study the design of cultural and creative products based on Mianzhu Woodblock New Year Paintings to facilitate the inheritance and development of cultural heritage. This study employs qualitative research methods to examine and analyze relevant information and literature on Mianzhu Woodblock New Year Paintings. Researchers selected the Mianzhu New Year Paintings Village and Mianzhu New Year Paintings Museum in Sichuan Province as the primary research areas. Data were collected and organized through field investigations, in-depth interviews, and focus group discussions with 3 key informants, 8 informal informants, and 20 general informants. Findings were obtained through data analysis and field studies, leading to the following results: Mianzhu Woodblock New Year Paintings, a traditional Chinese woodblock print art, originated from ancient sacrificial rituals and reached its peak during the Ming and Qing Dynasties. However, during the Republic of China era, production declined due to political turmoil and war. After the founding of the People’s Republic of China, the government prioritized the protection and revitalization of this art form. Currently, Mianzhu Woodblock New Year Paintings face challenges such as market pressures, insufficient cultural and creative content, and the inability to meet modern consumer demands. Researchers have proposed protective measures to address these issues and developed a new cultural initiative product model.In conclusion, the findings of this study provide a valuable reference for the preservation and inheritance of Mianzhu Woodblock New Year Paintings, enhance their visibility, and promote the protection and sustainable development of cultural heritage. The study’s outcomes offer important insights for fostering regional economic growth and strengthening the cultural and creative industries.
References
Cao, X. (2005). Research on Yangjiabu woodblock new year paintings (Doctoral dissertation). Fujian: Fujian Normal University.
Deyang Government Service Network. (2022, March 14). Deyang's Mianzhu New Year paintings protection regulations. [Website].
Deyang Municipal People's Government. (2021, February 24). [Website].
Fan, X. (2007). Mianzhu Woodblock New Year Paintings (pp. 24, 31). Sichuan People's Publishing House.
Fei, X.T (1992). From the soil: The foundations of Chinese society (G. G. Hamilton & W. Zheng, Trans.). University of California Press.
Feng, M. (2005). Research on the regional characteristics and comparative study of Chinese woodblock New Year paintings. Journal of Zhengzhou University (Philosophy and Social Sciences Edition), 38(5), 168-171. Retrieved from http://www.cqvip.com
Guo, X. S. (2005). Meaning, shape, and color of Chinese woodcut New Year paintings. Journal of Zhengzhou Light Industry College, 1009–3729(2005)06, 3-7. Retrieved from http://www.cqvip.com
Li, J. (2013). A study on the influence of the lifestyle by government-led recovery - Focus on 2008 Wenchuan earthquake, Sichuan, China. Proceedings of International Symposium on City Planning 2013. Retrieved from http://www.iscp-imperial.org/data/papers/2013/S11-03.pdf
Qiao, G. F. (2020). Research on the artistic characteristics of traditional woodblock New Year paintings. Chuan. Famous appreciation, 2020 (14), 99.
Qian, J. (2023). Constructing Semiotic System: A Study of Traditional Chinese Woodblock New Year Paintings (Master's thesis, Department of ALM Theses within Digital Humanities, Stockholm University). Retrieved from http://www.cqvip.com
Wang, T. (2017). Research on the application of Mianyang New Year painting elements in sculpture creation (Master's thesis). Southwest Minzu University.
Wu, Y. (2019). Research on cultural tourism product design based on the decorative style of Mianyang New Year paintings (Master's thesis). Sichuan Normal University.
Zhang, S. (2006). The folk characteristics and humanistic spirit of traditional Chinese woodblock new year paintings. Shandong Social Sciences, (2), 53-58.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Nimitmai Review Journal

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.