Interpreting Symbols in Photographs: A Semiotic Perspective.
Keywords:
application, photography, symbols, significanceAbstract
This research consisted of 3 objectives. They are to 1) investigate the Semiotic Principles of Photography Symbols as they apply to visual communication in photography, 2)explore the historical and Cultural Dimensions of Photography Symbols, and 3) analyze the Role of Technology in Shaping Photography Symbols. This study employed a qualitative research methodology to investigate photographic symbols through the lens of semiotic theory. The research process integrated multiple methods, including a comprehensive review of the literature, field investigations, and the application of case studies to validate the proposed explanatory model. The study's findings indicate that the iconic representation of photographic symbols encompasses nine key dimensions: (1) fundamental principles of colour theory, (2) application of colour in photographic composition, (3) influence of colour on photographic effects, (4) utilisation of colour harmony in photography, (5) symbolic meanings associated with colour, (6) incorporation of emotional and symbolic significance through colour, (7) employment of colour contrast and blending techniques, (8) foundational principles of colour harmony, and (9) strategic use of colour contrast in photographic imagery. The dissertation analyzes the picture expression of photographic symbols, the narrative expression of photographic symbols, the emotional transmission of photographic symbols, and, lastly, the activity of photography production through the lens of semiotics. Color theory is one of the fundamental concepts that a photographer must understand. Color is defined by the wavelengths and frequencies of visible light. Color discrepancies are primarily caused by variations in light absorption and reflection. The iconic representation of photography symbols has been discussed
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