Rabam Desana Preaching: Its Melodic Values to the Telling of Desana Mahachati Lanna
DOI:
https://doi.org/10.14456/jucr.2021.12Keywords:
Ethnomusicology, Jataka preaching, Lanna, Melody, Rabam DesanaAbstract
Desana Mahachati is an annual Buddhist ceremony which involves monks recounting the story of Enlightenment of the Buddha (the Jataka) to convey dharma. Rabam Desana refers to the particular Lanna melodic and tonal voice style use the telling of this story. It is unique in the use of chest voice, falsetto and vibrato. These vocal techniques are found in six types of Rabam Desana: Manao long khong, Prao kwai bai, Nam tok tad, Mangpu chom duang, Nok khao hern and Chang kham tong. The value of Rabam Deasan is that its usage enhances. The story of the Enlightenment for both the listener and the teller using these techniques, with the moods of the characters and the story line being varied an emphasized by tonal and tempo changes. Nowadays, only a handful of Buddhist monks in Northern Thailand practice Rabam Desana in their religious activities.
Downloads
Published
How to Cite
Issue
Section
License
Authors authorize the JUCR to publish their materials both in print and online while retaining their full individual copyright. The copyright of JUCR volumes is retained by Chulalongkorn University.
The views and opinions expressed herein are those of the individual author(s) and do not necessarily reflect the policies or opinions of the Journal (JUCR), it editors and staff, Chulalongkorn University, or Osaka Metropolitan University.