The Revolution of Calder’s Kinetic Sculpture to Public Art Space - A Case Study Setting In LACMA’s “Three Quintains”

Authors

  • Gang Qin Associate Professor, Chengdu Academy of Fine Arts of Sichuan Conservatory of Music, China
  • Ranran Wang Postdoctoral fellow & Assistant Researcher, School of Fine Arts and Design, Guangzhou University, China

DOI:

https://doi.org/10.14456/jucr.2023.30

Keywords:

Revolution; Public Art Space; Calder’s Kinetic Sculpture; Three Quintains; LACMA

Abstract

Alexander Calder’s profound influence on public art, particularly through his kinetic sculptures, remains a significant milestone in the contemporary art world. This study delves into Calder’s life and artistic journey, emphasizing the transformative impact of his iconic work, “Three Quintains” at the Los Angeles County Museum of Art. The paper explores the aesthetic and theoretical foundations of Calder’s kinetic art, highlighting its delicate balance, spatial interaction, and spiritual evocations. Analyzing the sculpture’s impact on visitor experiences and community engagement, the research addresses challenges and ethical considerations related to the integration of kinetic sculptures in public spaces. Furthermore, the study envisions future trajectories for public art, envisioning advancements in technology, inclusivity, sustainability, and interdisciplinary collaboration. Calder’s legacy persists as a testament to the enduring potential of art to reshape urban environments and foster cultural exchange.

Journal of Urban Culture Research - Cover images are from a York, UK pastry shop provided by Alan Kinear. JUCR supports the sovereignty of individual countries.

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Published

2023-12-21

How to Cite

Qin, Gang, and Ranran Wang. 2023. “The Revolution of Calder’s Kinetic Sculpture to Public Art Space - A Case Study Setting In LACMA’s ‘Three Quintains’”. Journal of Urban Culture Research 27 (December):155-74. https://doi.org/10.14456/jucr.2023.30.

Issue

Vol. 27: Vol. 27: July-December 2023

Section

Articles

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