Chinese Traditional Paper-Folding Practices as a Social Aesthetic of Baan Saan Community Art, Phuket Old Town: A Case Study

Authors

  • Nicha Tovankasame Lecturer, Faculty of International Studies, Prince of Songkla University, Phuket Campus, Thailand
  • Jakraphan Chaopreecha Lecturer, College of Computing, Prince of Songkla University, Phuket Campus, Thailand

DOI:

https://doi.org/10.14456/jucr.2023.33

Keywords:

Community Art; Chinese Practice; Phuket Old Town; Social Aesthetic; Thailand

Abstract

This research utilizes an anthropological lens to examine the understanding of social aesthetics within a local market community with an unique traditional heritage. The data for this research was collected during a series of workshops aimed at creating community art in the Baan Saan Community of Phuket, Thailand. The artists and community leaders at first proposed graffiti and wall paintings, which are often found in modern South-East Asian tourist hotspots. However, the community members chose instead to conduct a workshop on traditional methods of folding joss paper. The joss paper is contextualized in this merchant community where the aesthetic value of exchange and Hokkien-Chinese cosmology are commemorated. The research found that the material in everyday life could initiate social aestheticism when it is elevated to an artistic state in the process of the workshop. Thereafter, the social relations of community members are strengthened through the engagement with the traditional material and artistic process.

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Published

2024-06-24 — Updated on 2024-07-07

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How to Cite

Tovankasame, Nicha, and Jakraphan Chaopreecha. (2024) 2024. “Chinese Traditional Paper-Folding Practices As a Social Aesthetic of Baan Saan Community Art, Phuket Old Town: A Case Study”. Journal of Urban Culture Research 28 (July):21-36. https://doi.org/10.14456/jucr.2023.33.