Pi Chawa Performance in Muay Thai by Japanese People

Authors

  • Pattara Komkam Assoc. Prof., & Committee of the Center of Excellence for Thai Music and Culture, Faculty of Fine and Applied Arts, Chulalongkorn University, Thailand

DOI:

https://doi.org/10.14456/jucr.2024.16

Keywords:

Pi Chawa Performance; Thai Music; Thai Boxing; Pi Chawa Klong Khaek; Cross-Cultural Learning; Martial Art Music; Muay Thai; Thai; Japanese

Abstract

This article examines the integration of Thai urban culture into Japan through the musical performance of the pi chawa, a traditional Thai oboe, in Muay Thai, a Thai martial art, by a Japanese woman. Data were collected from workshops in Osaka (2016) and Hokkaido (2017), supplemented by two years of follow-up training in Thailand. This cross-cultural exchange not only enhanced cultural awareness and appreciation but also fostered community bonds and provided educational opportunities. As a result, Yayoi Kuriyama emerged as a proficient Japanese female pi chawa musician, now performing in an all-female pi chawa klong khaek ensemble for Muay Thai matches in Japan. This integration highlights the broader benefits of cross-cultural learning in urban contexts, including economic boosts, social cohesion, and the preservation and innovation of cultural heritage.

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Published

2024-12-19

How to Cite

Komkam, Pattara. 2024. “Pi Chawa Performance in Muay Thai by Japanese People”. Journal of Urban Culture Research 29 (December):15-27. https://doi.org/10.14456/jucr.2024.16.