The Creation of Solo Piano Compositions from Khaen Melodies “Thamnong Khaen”

Abstract

This paper aims to present Khaen melodies (an Isan musical instrument) by analyzing the original notes and arranging them for piano, using Western music composition theory to adapt the notes to suit beginner-level piano players. Based on qualitative research and creative music research, the creative process emphasizes preserving the original accents and primary melodies of the Khaen. Additionally, it develops the musical structure and harmonies to align with contemporary Western classical music. The analysis of the original Khaen melodies reveals rapid note values and rhythms, as well as harmonies with more than one voice, accompanied by irregular interval jumps throughout the melody. To make the piano arrangement suitable for both beginners and general enthusiasts to appreciate Isan music’s distinctive sound, the following strategies are used: 1) changing the time signature, expanding rhythm values, and adjusting the placement of notes in certain measures; 2) re-arranging Khaen melodies following Western practices including phrases, cadence, motif, and repetition; 3) arranging accompaniment with basso ostinato from drone; and 4) creating chords and progression from solo Khaen melodies. In addition, this music creation supports the development of contemporary piano with Isan attributes and promotes the value of folk music culture in the area. By raising awareness among beginner piano learners or interested individuals, this arrangement makes the music more accessible through easier practice with these notes.