Problems of Contemporary Art in the Regions of Great Altai
DOI:
https://doi.org/10.14456/jucr.2025.7Keywords:
Syncretism, Art of Central Asia, Postmodernism, Performance, Neovanguard, KazakhstanAbstract
The relevance of the study is due to the fact that at present the topic of modern art is studied all over the world. The purpose of study is the complex study of factors that influence the activities of young artists in the art sector, their genre preference and the choice of unique forms to convey their own thoughts. To achieve this goal, theoretical and empirical methods such as statistical analysis, synthesis, induction and deduction were mainly used. The result of the research was a full analysis of the works of modern Kazakh, Mongolian, Chinese and Uzbek artists working in such forms of postmodernism as performance, video art, street art, graffiti, and photography. The main conclusion is that modern art in Kazakhstan, Mongolia, and Uzbekistan reflects syncretism, blending traditional nomadic customs, legends, and culture with modern interpretations and technological advancements. The applied value of this work lies in the identification of actual problems of contemporary art of the regions of Great Altai.
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