Musical Convergence in Cross-Cultural Jazz Composition: An Analysis of “Spring is Back”

Abstract

This research analyzes “Spring is Back,” a cross-cultural jazz composition rooted in the traditional Chinese folk song “⼤地回春” (“Earth’s Rebirth in Spring”). Through examining its formal structure, thematic development, and harmonic content, the study sheds light on its artistic significance and global resonance. The composition’s carefully orchestrated structure and thematic transformation blend elements of folk melody with jazz-inspired rhythm and harmony. Utilizing reharmonization techniques, “Spring is Back” enriches its chord progression with extended chords, quartal and quintal harmony, and contrapuntal bass movement, contributing to its vibrant sound. This research illuminates the transformative power of cross-cultural musical convergence in “Spring is Back,” offering insights into creative processes underlying the fusion of musical traditions. Overall, the study deepens understanding of cross-cultural musical fusion and its potential to bridge cultural divides and foster global creative dialogue.