The Subjectivity and Conformity Issues in Contemporary Practices of Algorithmic Creativity

Authors

  • Tetiana Sovhyra Dean, Faculty of Event Management, Fashion and Show Business, Kyiv National University of Culture and Arts Ukraine
  • Larisa Babushka Professor, Department of Theory and History of Culture, Tchaikovsky National Music Academy of Ukraine, Ukraine
  • Tetiana Andrushchenko Professor, Department of Social Sciences, Tchaikovsky National Music Academy of Ukraine, Ukraine
  • Olena Onischenko Professor, Department of Humanities, Kyiv National I. K. Karpenko-Karyi Theatre, Cinema and Television University, Ukraine
  • Mykola Brovko Professor, Department of Social Sciences, Tchaikovsky National Music Academy of Ukraine, Ukraine

DOI:

https://doi.org/10.14456/jucr.2026.7

Keywords:

Algorithmic Creativity; Robotic Performances; AI; Conformity; Brain-Computer Interface; Authorship

Abstract

This article examines the issue of subjectivity and conformism in algorithmic cultural practices (robotic performances and neurocomputer installations “A3 K3 Dragan Ilic," “Alone Together," “NOOR” and “AIBO”). The focus is on the technological features of algorithmic creativity, which is based on machine learning, stylistic imitation and computational data processing. In this context, ethical and legal issues related to copyright and the recognition of artistic works created by artificial intelligence are analyzed. In particular, mechanized artistic practices create the illusion of autonomous creativity, whilst retaining the decisive role of human subjectivity in the organization and interpretation of cultural processes. Algorithmic creativity remains dependent on human programming, technological mediation and artistic conception. However, the creative process involving BCI may take on characteristics of subjectivity. This is evidenced by court rulings on the determination of subjectivity and copyright in works created through algorithmic computations.

JUCR cover images from Seoul South Korean by Alan Kinear

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Published

2026-06-18

How to Cite

Sovhyra, Tetiana, Larisa Babushka, Tetiana Andrushchenko, Olena Onischenko, and Mykola Brovko. 2026. “The Subjectivity and Conformity Issues in Contemporary Practices of Algorithmic Creativity”. Journal of Urban Culture Research 32 (June):113-24. https://doi.org/10.14456/jucr.2026.7.

Issue

Vol. 32: Vol. 32: January-June 2026

Section

Articles

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