Meaning relationship between the original Ban Chiang pottery pattern stamps and modern auspicious patterns

  • Kanittha Ruangwannasak Faculty of Humanities and Social science, Udon Thani Rajabhat University, Mueang, Udon Thani 41000, Thailand
  • Sutthinee Sukkul Faculty of Architecture, King Mongkut’s Institute of Technology Ladkrabang, Lat Krabang, Bangkok 10520, Thailand
  • Atchariya Suriya Faculty of Technology, Udon Thani Rajabhat University, Mueang, Udon Thani 41000, Thailand
  • Krissada Dupandung Faculty of Art and Industrial Design, Rajamangala University of Technology Isan, Mueang, Nakhon Ratchasima 30000, Thailand
Keywords: Ban Chiang clay roller, Ban Chiang pottery pattern stamp, modern auspicious pattern, relationship

Abstract

The study investigates the relationship between the original Ban Chiang patterns and modern auspicious patterns in terms of meaning. The qualitative method was used to collect and analyze data. The sample or information source of Ban Chiang clay rollers and Ban Chiang pottery pattern stamps includes a curator and a storekeeper of the Ban Chiang National Museum and a local person well-informed in Ban Chiang. Results revealed that the Ban Chiang patterns are similar to modern auspicious patterns mainly in the use of animals; nature; fruits, trees, and flowers; objects, utensils, or artificial designs; and belief as symbols.

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Published
2021-04-30
Section
Research articles