ELECTRIC GUITAR PERFORMANCE INTERPRETATION IN "LIKE WHAT?"

Authors

  • Jetnipith Sungwijit Conservatory of Music, Rangsit University, Thailand

Keywords:

Interpretation, Electric Guitar, Fusion Jazz, Small Jazz Ensemble

Abstract

This academic article aims to present the composition and interpretation of electric guitar playing in the Like What?. Composed by Associate Professor Dr. Denny Euprasert, it was written for the Project R band to be performed at the Thailand International Jazz Conference on the main stage on February 15, 2015 at the College of Music, Mahidol University Nakhon Pathom Province. The songs feature jazz fusion music combined with funky rhythms and released performances with a small jazz ensemble. The composition combines the concept of basic minor blues progressions, a half-whole diminished scale, upper structure triads, and rhythmics ideas. The main theme is played by the drummer, alternating within the phrases and the transition combines the concept of polyrhythm concept.

Interpretation of the electric guitar playing during the main melody is using alternating strumming techniques. The connecting sections are arranged mostly with groups of 3 notes on the 6th-5th-4th strings as well as the accompaniment of an electric guitar during a musician's improvisation, played in the style of rock music mixed with the funky rhythms. Improvisation interpreting using scales and modes related to chord progressions. Combining the use of line pushing techniques. Playing a blind sound, a group of 2-3 notes, and using overdrive to create rock music dimentions.

References

Euprasert, Denny. "Generatrix Composition for Jazz Band and Jazz Piano Performance." Rangsit Music journal 6, no. 2 (July-December 2011): 5-21. (in Thai)

Euprasert, Denny. "Like What? for Jazz Orchestra: A Creative Research in Music Composition." Rangsit Journal of Social Sciences and Humanities 8, no. 1 (January-June 2021): 46-55.

Gridley, Mark C. Jazz Styles: History and Analysis. 7th ed. Englewood Cliffs, NJ: Prentice Hall, 2000.

Kernfeld, Barry. What to Listen For in Jazz. New Haven, CT: Yale University Press, 1997.

Office of the Royal Society. Dictionary of Music: Royal Society Edition. Bangkok: Office of the Royal Society Press, 2018. (in Thai)

Pancharoen, Natchar. Dictionary of Music. 3rd ed. Bangkok: Ketkarat, 2009. (in Thai)

porter, Lewis, Michael Ullman, and Edward Hazell. Jazz: From Its Origins to the Present. Englewood Cliffs, NJ: Prentice Hall, 1993.

Reeves, Scott D. Creative Jazz Improvisation. Englewood Cliffs, NJ: Prentice Hall, 2007.

Terefenko, Dariusz. Jazz Theory from Basic to Advanced Study. New York: Routledge, 2018.

Additional Files

Published

2024-06-27

How to Cite

Sungwijit, J. (2024). ELECTRIC GUITAR PERFORMANCE INTERPRETATION IN "LIKE WHAT?". Mahidol Music Journal, 7(1), 124–139. Retrieved from https://so04.tci-thaijo.org/index.php/mmj/article/view/271246