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Liang Tang
Manissa Vasinarom
Xiaodong Hu


This paper aims to study comparison between Dazu Rock Carving Dance and Dunhuang Grottoes in terms of their image characteristics. The time period of this study ranged from August 2022 to March 2023.This paper adopts the literature research method, interview survey method, network survey method, description analysis method. The research results show that the secularization of Dazu stone carvings is the unique cultural feature of Dazu stone carvings. On the aspect of aesthetic features of Dazu Stone Carvings dance from Tang Dynasty to Song Dynasty, the props, body forms, costumes, image styles and facial features in Dazu stone carvings dance images became more and more localized and regional as time went by. The Song Dynasty is an important stage of divinity and humanity. The object of comparison in this paper is not limited to religion and simple grotto art itself, but among other styles of Song Dynasty art, the Dunhuang murals are selected for cross-text comparison, and the dance images of Dazu stone carvings and Dunhuang murals are discussed from three aspects: dress, body form and expression mode. Thus, think about the new value orientation of dance creation and choreography. It is helpful to excavate and interpret the dance culture of Dazu stone carvings and Dunhuang mural paintings, and can have referential value for the study of traditional folk customs, traditional arts and national aesthetics of Dazu stone carvings and Dunhuang mural dances. The research result also has a positive impact on dance creation and choreography of Chinese classical dance. 

Article Details

How to Cite
Tang, L., Vasinarom, M., & Hu, X. (2024). COMPARISON BETWEEN DAZU ROCK CARVING DANCE IMAGE CHARACTERISTICS AND DUNHUANG GROTTOES. วารสารนวัตกรรมสังคมและเทคโนโลยีสื่อสารมวลชน, 7(1), 75–83.


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