The Play “Ngo Pa”: From Folklore to Literature
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Abstract
The article aims at exploring information regarding folklore and at analyzing the application of folklore in “Ngo Pa,” a play composed by King Chulalongkorn (King Rama V). It was found that information on various aspects of Koy people and their beliefs is portrayed throughout the play Ngo Pa, particularly in a short prelude at the beginning of the play. It is evident that information was deliberately asserted in various parts of the play. Furthermore, Koy people’s folklore is shown in relation to every literature element, including the main conflict caused by Koy’s belief in married life. Koy people’s folklore regarding clothes, weapons, lifestyles and beliefs mentioned in the first part of the play is also reflected through characters and forest setting with the vivid hint of the locals. It cannot be denied that the most important scene is the marriage scene, which conveys every aspect of Koy people’s folklore. These elements lead to the theme of powerful love between the main characters, an international theme highlighting the fact that these people are humans just like other groups of people. Regarding performance, Koy people’s status results in new and different patterns and content compared to traditional Thai plays. Music and clothing are furthermore adapted to correspond with the portrayal of the Koy people. In conclusion, information regarding folklore is considered important for this literature based on facts.
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