Five in Five: The Compositional Concept of “Benjarong” for Single Reed Woodwind Ensemble

Abstract

This article is part of the thesis “The Benjarong Musical Composition for Single Reed Woodwind Ensemble” which employs qualitative research methodology through document analysis to propose the concept of “Five in Five” composition. It integrates the study of Benjarong porcelain colors referencing color elements that influence human emotions and translating them into auditory imagery for a single reed woodwind ensemble. The composition Benjarong is categorized as program music aiming to express the composer’s thoughts, emotions, and imagination through musical elements. It features a free-form compositional approach not confined to traditional or classical structures. The core creative concept is the “Five in Five” inspired by the five traditional Benjarong colors – green, red, yellow, blue, and white – each interpreted and represented through melody, rhythm, and musical structure that evoke distinct moods and imagery. The musical content of the piece is complex and diverse incorporating essential compositional techniques such as augmentation, diminution, sequence, and imitation. These methods serve to deepen the melodic development and enhance the continuity across different sections, resulting in a composition that is emotionally and structurally complete.