PERFORMANCE PRACTICE OF “KANG KAO GIN GLUAY” FOR PIANO FOUR HANDS BY WIWAT SUTHIYAM
Keywords:
“Kang Kao Gin Gluay”, Piano Four Hands, Variations, Wiwat Suthiyam, Performance PracticeAbstract
“Kang Kao Gin Gluay” is a popular Thai traditional tune which had a long historical background since the Ayutthaya Kingdom. Wiwat Suthiyam, a Thai contemporary composer, brought this famous tune to compose theme and variations for piano four hands in the style of significant famous 20th century composers such as Witold Lutosławski, Olivier Messiaen, Sergei Prokofiev, Francis Poulenc, Sergei Rachmaninoff, and Dmitri Shostakovich. This composition has become essential for pianists and advanced students who are interested in playing various compositional styles in one piece. To play this composition distinctively, it requires not only musical interpretation but also technical and ensemble skills. This article will go through the composition background and focus on performance practice in each variation as well as significant aspects in each variation including character, form, compositional style, pedal, rhythmic complexity, articulations, dynamics, melody, harmony, ensemble, texture and technique will be pointed out and suggestion for practicing will be given.
References
Balan, Mihaela-Georgiana. “Polystylism in the context of Postmodern Music. Alfred Schnittke’s Concerti Grossi.” Artes. Journal of Musicology 23, no. 1 (April 2021): 148-164. https://doi.org/10.2478/ajm-2021-0007.
Dawes, Frank. “Piano Duet.” Grove Music Online. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000021629.
Grout, Donald Jay, and Claude V. Palisca. A History of Western Music. 6th ed. New York: Norton. 2001.
Ivashkin, Alexander, and Ivan Moody. “Schnittke [Shnitke], Alfred.” Grove Music Online. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000051128.
Kirby, Frank E. “Setting of Songs and Their Variations.” In Music for Piano: A Short History, 17-18. Oregon: Amadeus, 1997.
Scarlatti, Domenico. “Sonata K. 455.” In Domenico Scarlatti: Sonates, Volume 9, edited by Kenneth Gilbert, 177-181. Paris: Heugel, 1972.
Schnitke, Alfred, and Alexander Ivashkin. “A Schnittke Reader.” Project MUSE. https://muse.jhu.edu/chapter/255745.
Sisman, Elaine. “Variations.” Grove Music Online. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000029050.
The Guardian. “A guide to the music of Alfred Schnittke.” Guardian News and Media. https://www.theguardian.com/music/tomserviceblog/2013/apr/29/alfred-schnittke-contemporary-music-tom-service.
Wager, Gregg. “Variations on a Theme of Paganini, for Two Pianos (Witold Lutosławski).” LA Phil. https://www.laphil.com/musicdb/pieces/4471/variations-on-a-theme-of-paganini-for-two-pianos.
Webb, Barbara Ellen. “Impressionism in the Piano Music of Claude Debussy.” Master’s thesis, Eastern Illinois University, 1962.
Wiwat Suthiyam. Kang Kao Gin Gluay. Self-published, 2013.
ณรงค์ชัย ปิฎกรัชต์. “ค้างคาวกินกล้วย.” ใน สารานุกรมเพลงไทย, 120-121. นครปฐม : สำนักพิมพ์มหาวิทยาลัยมหิดล, 2557.
ทัศพร ศรเกตุ. “เพลงไทย (พื้นบ้าน/เพลงไทยเดิม/เพลงไทยเดิม) 7. ค้างคาวกินกล้วย (บรรเลงทำนอง).” Silpathai.com. http://www.silpathai.com/song/7.html.
ธนิสร์ ศรีกลิ่นดี. “เพลงค้างคาวกินกล้วย.” http://www.thanis.net/music4.htm.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
ลิขสิทธิ์ของบทความเป็นของเจ้าของบทความ บทความที่ได้รับการตีพิมพ์ถือเป็นทัศนะของผู้เขียน
กองบรรณาธิการไม่จำเป็นต้องเห็นด้วยและไม่รับผิดชอบต่อบทความนั้น