A COMPOSITION PROJECT “MUSIC AND LOVE”
Keywords:
Thai Composer, Piano, Composition, Music, Love, CommunityAbstract
Music and love is a set of compositions for piano solo that aimed to offer original works by Thai composer as a choice for Thai piano students and listeners. Each composition is a program music that reflected and represented different interpretation of affection and love, such as love of a family, love between individual persons, love of the nature, love of religion, and love of national heritage. The title of 10 pieces are as follows: Home, Jasmine, Sibling, Soulmate, Oceans, Spirit of the Forest, Blue Sky Rag, Night Falls, Pagoda, and Blue Moon.
The researcher studied and analyzed character pieces for piano solo from the romantic period and used them as models for this composition project. The stylistic and pianistic approach had a strong connection with the title of each composition.
The researcher invited four distinguished Thai pianists to perform these works. These pianists are Pornphan Banternghansa, Tarin Supprakorn, Akkra Yuenyonghattaporn, and Mintra Rungruengsorakarn. The project was successfully presented as audio recordings, music videos, published score, and an online conference on different platform of social media. The link to music videos of this project was included in the discussion.
References
Arjmand, Hussain-Abdulah, Jesper Hohagen, Bryan Paton, and Nikki S. Rickard. "Emotional Responses to Music: Shifts in Frontal Brain Asymmetry Mark Periods of Musical Change." Frontiers in Psychology 8 (2017). https://doi.org/10.3389/fpsyg.2017.02044.
Cowen, Alan S., Xia Fang, Disa Sauter, and Dacher Keltner. "What Music Makes Us Feel: At Least 13 Dimentions Organize Subjective Experiences Associated with Music Across Different Cultures." Proceedings of the National Academy of Sciences 117, no. 4 (January 2020): 1924-1934. https://doi.org/10.1073/pnas.1910704117.
Damasio, Antonio R., Thomas J. Grabowski, Antoine Bechara, Hanna Damasio, Laura L.B. Ponto, Josef Parvizi, and Richard D. Hichwa. "Subcortical and Cortical Brain Activity During the Feeling of Self-Generated Emotions." Nature Neuroscience 3, no. 10 (October 2000): 1049-1056. https://doi.org/10.1038/79871.
Donington, Robert. Baroque Music, Style and Performance. New York: Norton, 1982.
Eerola, Tuomas, and Henna-Riikka Peltola. "Memorable Experiences with Sad Music—Reasons, Reactions and Mechanisms of Three Types of Experiences." PLOS ONE 11, no. 6 (June 2016): e0157444. https://doi.org/10.1371/journal.pone.0157444
Gillespie, John. Five Centuries of Keyboard Music. New York: Dover Publications, 1972.
Hinson, Maurice. Guide to the Pianist's Repertoire. Bloomington: Indiana University Press, 1973.
Hunter, Patrick G., and E. Glenn Schellenberg. "Music and Emotion." Music Perception 10, no. 2 (August 2010): 129-164. https://doi.org/10.1007/978-1-4419-6114-3_5.
Hutcheson, Earnest. The Literature of the Piano. Toronto: Alfred A. Knopf, 1949.
Juslin, Patrik N., and Daniel Västfjäll. "Emotional Responses to Music: The Need to Consider Underlying Mechanisms." Behavioral and Brain Sciences 31, no. 5 (October 2008): 559-575. https://doi.org/10.1017/S0140525X08005293.
Juslin, Patrik N., and John A. Sloboda. Handbook of Music and Emotion. Oxford: Oxford Univ. Press. 2012.
Juslin, Patrik N., and Petri Laukka. "Experssion, Perception, and Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday Listening." Journal of New Music Research 33, no. 3 (2004): 217-238. https://doi.org/10.1080/0929821042000317813.
Landon, H. C. Robbins, ed. The Mozart Compendium, A Guide to Mozart's Life and Music. Ann Arbor, MI: Borders Press, 1990.
Lhevinne, Josef. Basic Principles in Pianoforte Playing. New York: Dover Publications, 1972.
Plantinga, Leon. Anthology of Romantic Music. New York: W. W. Norton & Company, 1984.
Samson, Jim. Chopin: The Four Ballades. Cambridge: Cambridge University Press, 2001.
Scherer, Klaus R. "Which Emotions can be Induced by Music? What are the Underlying Mechanisms? And How Can We Measure Them?." Journal of New Music Research 33, no. 3 (2004): 239-251. https://doi.org/10.1080/0929821042000317822.
Schulenberg, David. Music of the Baroque. Oxford: Oxford University Press. 2001.
Seinfeld, Sofia, Ilias Bergstrom, Ausias Pomes, Jorge Arroyo-Palacios, Francisco Vico, Mel Slater, and Maria V. Sanchez-Vives. "Influence of Music on Anxiety Induced by Fear of Heights in Virtual Reality." Frontiers in Psychology 6 (2016). https://doi.org/10.3389/fpsyg.2015.01969.
Shen, Chanchan, Mufan Wang, Tongjun Ding, Yang Yang, Javier Cabanyes-Truffino, Lijun Sun, Chu Wang, and Wei Wang. "Basic Emotions Expressed in Music: Factor Analyses on Intensity Ratings by Non-Musical Professional Chinese University Students." Psychology Research and Behavior Management 11 (2018): 617-629. https://doi.org/10.2147/prbm.s190038.
Sitalayan, Ramasoon. 4 Ballades from Thai Literature for Piano Solo. Bangkok: Thana Press, 2019.
Swafford, Jan. Johannes Brahms: A Biography. New York: Vintage Books, 1997.
Trost, Wiebke, Thomas Ethofer, Marcel Zentner, and Patrik Vuilleumier. "Mapping Aesthetic Musical Emotions in the Brain." Cerebral Cortex 22, n0. 12 (December 2012): 2769-2783. https://doi.org/10.1093/cercor/bhr353.
Additional Files
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 College of Music
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
ลิขสิทธิ์ของบทความเป็นของเจ้าของบทความ บทความที่ได้รับการตีพิมพ์ถือเป็นทัศนะของผู้เขียน
กองบรรณาธิการไม่จำเป็นต้องเห็นด้วยและไม่รับผิดชอบต่อบทความนั้น