Sculpting Light: The Impact of Photographic Lighting on the Perception of Musculature and Physical Aesthetics Through the Homo Gaze
Main Article Content
Abstract
This study explores the impact of photographic lighting on perceptions of musculature and physical aesthetics through the homo gaze among 350 openly gay men in Bangkok. Employing three advanced lighting setups—split and fill, Rembrandt with black foam, and split overhead non-fill—this research methodically assesses how different lighting conditions influence visual perceptions across three body types: endomorph, ectomorph, and mesomorph. Participants rated muscular definition in images using a structured scale: defined, less defined, or unchanged. A comprehensive mixed-methods approach, integrating quantitative surveys and qualitative interviews, captures detailed emotional and aesthetic reactions. The findings demonstrate that lighting not only significantly alters perceptions of musculature but also shapes broader beauty standards within the gay community. By illustrating the crucial role of lighting in photographic art and design, this study contributes to visual culture discourses. It underscores the importance of inclusive aesthetic standards and the enhancement of visual communication for commercial purposes, offering strategic insights for engaging diverse markets.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright Transfer Statement
The copyright of this article is transferred to Journal of The Faculty of Architecture King Mongkut's Institute of Technology Ladkrabang with effect if and when the article is accepted for publication. The copyright transfer covers the exclusive right to reproduce and distribute the article, including reprints, translations, photographic reproductions, electronic form (offline, online) or any other reproductions of similar nature.
The author warrants that this contribution is original and that he/she has full power to make this grant. The author signs for and accepts responsibility for releasing this material on behalf of any and all co-authors.
References
Calvelhe, L. (2013). Arts-based research, visual culture, and coming to a pragmatist approach while researching self-identified gay teenagers' (aesthetic) experiences. In F. Hernández-Hernández & R. Fendler (Eds.), 1st Conference on Arts-Based and Artistic Research: Critical reflections on the intersection of art and research (pp. 47-61). Barcelona: University of Barcelona. https://www.researchgate.net/publication/262804501_ArtsBased_Research_Visual_Culture_and_Coming_to_a_Pragmatist_Approach_While_Researching_Self-Identified_Gay_Teenagers'_Aesthetic_Experiences
Lanzieri, N., & Hildebrandt, T. (2011). Using hegemonic masculinity to explain gay male attraction to muscular and athletic men. Journal of Homosexuality, 58(2), 275–293. https://doi.org/10.1080/00918369.2011.540184
McNamara, A. (2001). Visual perception in realistic image synthesis. Computer Graphics Forum, 20(4), 211-224. https://doi.org/10.1111/1467-8659.00550
Michaels, E., Joneurairatana, E., & Sirivesmas, V. (2024). Mainstreaming Queerness in Thai Boys' Love Narratives: Impact on Gay Identity Perceptions in Bangkok. Sexualities. https://doi.org/10.1177/13634607241263194
Sauvaget, C., & Boyer, V. (2010). Stylization of lighting effects for images. In Proceedings of the Sixth International Conference on Signal-Image Technology and Internet-Based Systems (pp. 43-50). IEEE. https://doi.org/10.1109/SITIS.2010.18
Snider, S. (2005). You Make Me Feel Like a Natural Transgendered Person: Contemporary Photography and the Construction of Queer(ed) Identities. Athanor, 23, 83-87. https://journals.flvc.org/athanor/article/view/126632
Spehar, B., Wong, S., van de Klundert, S., Lui, J., Clifford, C. W. G., & Taylor, R. P. (2015). Beauty and the beholder: The role of visual sensitivity in visual preference. Frontiers in Human Neuroscience, 9(514), 1-12. https://dx.doi.org/10.3389/fnhum.2015.00514
Zavagno, D., & Massironi, M. (2006). Colours in Black and White: The Depiction of Lightness and Brightness in Achromatic Engravings before the Invention of Photography. Perception, 35(1), 91-100. https://doi.org/10.1068/p5346