Atwood’s Speculative Dystopian Imagination: Inequality, Hierarchy, and Warped Ethics as Harbingers of Apocalypse in Oryx and Crake

Main Article Content

Sarawut Kururatphan

Abstract

This article examines Margaret Atwood’s imaginings of a pre-apocalyptic future in Oryx and Crake in order to discuss the root causes of the world’s social and ecological ruination. Applying Murray Bookchin’s theory of social ecology in its analysis, it argues that the major factors constituting a dystopian society and serving as harbingers of the apocalypse are diversiform inequality and deep-seated hierarchy. It specifically demonstrates how environmental destruction is profoundly connected with social problems arising from these two factors. Furthermore, the paper contends that such a society significantly influences the characters’ worldview resulting in warped ethics. Finally, this dystopian landscape and its distorted ethics give birth to two kinds of people: one is Crake, a megalomaniac eugenicist who in his self-righteous attempt to create a better world almost obliterates the whole human race, and the other kind are those who acquiescently allow such incident to happen.

Article Details

How to Cite
Kururatphan, S. (2022). Atwood’s Speculative Dystopian Imagination: Inequality, Hierarchy, and Warped Ethics as Harbingers of Apocalypse in Oryx and Crake. Journal of Studies in the English Language, 17(1), 1–27. https://doi.org/10.14456/jsel.2022.1
Section
Research Articles

References

Atwood, M. E. (2012). Survival: A thematic guide to Canadian literature. House of Anansi Press.

Atwood, M. E. (2013). Oryx and Crake. Virago Press.

Atwood, M. E. (2014). In other worlds: SF and the human imagination. Virago Press.

Bookchin, M. (1982). Ecology of freedom: The emergence and dissolution of hierarchy. Cheshire Books.

Bouson, J. B. (Ed.). (2010). Margaret Atwood: The robber bride, the blind assassin, Oryx and Crake. Continuum.

Bouson, J. B. (2011). We’re using up the earth. It’s almost gone: A return to the post-apocalyptic future in Margaret Atwood’s the year of the flood. Journal of Commonwealth Literature, 46(1), 9-26. https://doi.org/10.1177/0021989410395430

Buell, L. (1995). The environmental imagination: Thoreau, nature writing, and the formation of American culture. Harvard University Press.

Canavan, G. (2012). Hope, but not for us: Ecological science fiction and the end of the world in Margaret Atwood’s Oryx and Crake and the year of the flood. LIT Literature Interpretation Theory, 23(2), 138-159. https://doi.org/10.1080/10436928.2012.676914

Dunlap, A. (2013). Eco-dystopia: reproduction and destruction in Margaret Atwood’s Oryx and Crake. Journal of Ecocriticism, 5(1), 1-15.

Dunning, S. (2005). Margaret Atwood’s “Oryx and Crake”: The terror of the therapeutic. Canadian Literature, 186, 86-101.

Fukuyama, F. (1989). The End of History?. The National Interest, 16, 3-18. http://www.jstor.org/stable/24027184

Kuznicki, S. (2017). Margaret Atwood’s dystopian fiction: Fire is being eaten. Cambridge Scholars Publishing.

Levine, P. (2017). Eugenics: A very short introduction. Oxford University Press.

Mohr, D. (2015). Eco-dystopia and biotechnology: Margaret Atwood, Oryx and Crake (2003), the year of the flood (2009) and MaddAddam (2013). In E. Voigts & B. Alessandra (Eds.), Dystopia, science fiction, post-apocalypse: Classics, new tendencies and model interpretations (pp. 283-302). Trier: wvt.

Price, A. (2012). Recovering bookchin: Social ecology and the crises of our time. New Compass Press.

Snyder, K. V. (2011). “Time to go”: the post-apocalyptic and the post-traumatic in Margaret Atwood’s Oryx and Crake. Studies in the Novel, 43(4), 470-489.

Stein, K. F. (2010). Problematic paradice in Oryx and Crake. In J. B. Bouson (Ed.), Margaret Atwood: The robber bride, the blind assassin, Oryx and Crake (pp. 141-155). Continuum.

Winstead, A. (2017). Beyond persuasion: Margaret Atwood's speculative politics. Studies in the Novel, 49(2), 228-249. https://doi.org/10.1353/sdn.2017.0018