The Choreography of the Dance Rach – Sakkarn

Abstract

This article aimed to examine the creative process behind the choreography of the dance Rach – Sakkarn inspired by the Royal Coronation Ceremony of His Majesty King Maha Vajiralongkorn Phra Vajiraklaochaoyuhua on May 4, 2019. This study implemented document analysis and interview.
The participants were there experts in field of Thai creative dance and contemporary performance. Additionally, the quality of the choreographic work was assessed by five specialists from governmental and private sectors. This contemporary dance creation draw upon Thanakorn Sanvoraphiboon’s  conceptual framework, particularly the notion of the body as a medium for artistic communication.
The presentation of this work was in line with Narongchai Pitakrat's concept of art as a creative blend of traditional and contemporary media. The findings revealed that the Rach – Sakkarn performance was structured into three sections: 1) The brilliance of culture and national peace, 2) The fusion of cultures from diverse people in society; 3) The reverence and elation of His Majesty's accession to the throne. This choreography of the dance combined key dance moves with contemporary ballet movements. Furthermore, choreography of the dance Rach – Sakkarn, incorporated artistic elements related to costumes, makeup, and stage design, all designed to be contemporary, reflecting the application of traditional knowledge with contemporary concepts for profound and meaningful cultural communication. Furthermore the choreography of Rach – Sakkarn integrated artistic components including costume, makeup, and stage design conceptualized thigh a contemporary lens. This synthesis of traditional knowledge and modern aesthetics fostered a profundal meaningful Experian of cultural communication