การสร้างสรรค์นาฏยศิลป์จากวรรณกรรมพื้นบ้าน เรื่อง หัวนายแรง

Keywords: Forms of the creation of a dance, Folk tale, Hua Nai Rang, Southern


    The research objective is to explore the creative form and style of traditional Thai dance, named Hua Nai Rang which is based on folk literature by sharing the same namesake. The research deployed creative and qualitative research methods developing through the data analysis. The research tools comprise documentary data, interviews, observations, media resources, seminar and artistic qualification. The results of research showed that the dance style consisted of 7 sectors : 1) Principles of contemporary stage that was applied through script of play-writing, which the storyline is laid and the concept of the chapter layout is revealed, resulting in the combination of the script of the dance and action chapters, 2) Choreography was passed from the performance script focuses on conveying emotions through eyes, body, and actions, 3) Dancers who were casted had various talents, 4) Sound and music were designed by combining the use of sound, actors' voices, sounds that convey feelings and the music for the performance, 5) Completed stage with projection equipment and images in the form of games, 6) Costume design according to Southern originality, traditions, and its literature uniqueness were adapted into account, and 7) Integrated lighting was designed to harmonious coexist with the picture projector, scene illustration, feeling of mode and the events.


Download data is not yet available.


Binson, B. (2011). Southern Music Artists Knowledge Rituals and Beliefs. Bangkok : Chulalongkorn Publishing. (In Thai)

Charassri, N. (February 18, 2019). Professor at Dance Program, Faculty of Fine and Applied Arts, Chulalongkorn University. Interview. (In Thai)

Duangchana, A. (2558). Tracing the Raserch on Southern Culture. Chaingmai : Department of Socioology and Anthropology. Research report. Chaingmai : Faculty of Social Sciences Chaingmai University. (In Thai)

Jiwakanon, R. (2014). The Art of Costume Design. Bangkok : Chulalongkorn Publishing. (In Thai)

Mumford, D. e. (2010). Creativity and Ethics: The Relationship of Creative and Ethical Problem-Solving. Creativity Research Journal, 22(1), 74-89.

Padungsestakit, W. (2019). The Creation of a Performance Script from Keinnara in the Tai Yai’s Folk Tale. Suan Sunandha Academic and Research Review, 13(2), 1-18. (In Thai)

_______. (July 22, 2019) Assistant Professor of Theatre Arts Program, Faculty of Fine and Applied Arts, Suan Sunandha Rajabhat University. Interview. (In Thai)

Pattarasuk, W. (2014). Research Methodology the Social Sciences. Bangkok : Chulalongkorn Publishing. (In Thai)

Seesupon, N. (2015). The art of traditional Thai dance from tha folk literature entitled U-Sa Baros in the Thai cultural context. Institute of Cilture and Arts Journal, 7(1), 76-83. (In Thai)

Thitathan, S. (2016). Creative folklore : dynamics and application of folklore in contemporary Thai society. Bangkok : The Princess Maha Chakri Sirindhorn Anthropology Centre. (In Thai)

Veohong, N. (2015). Introduction to Dramatic Arts. Bangkok : Chulalongkorn Publishing. (In Thai)

Research Articles