The Phenomenon of Musical Transculturation: The Impact of Western Flute Influences on Chinese Music Society
DOI:
https://doi.org/10.14456/nrru-rdi.2024.12Keywords:
Musical Transculturation, Western flute, Chinese Music Society, Influence of Wind InstrumentsAbstract
Background and Objective: The historical and cultural evolution that has contributed to the development and transformation of music over time is relevant to research aimed at 1) study the influence of globalization and nationalism on Chinese music, 2) study the transculturalization process of the western Flute influences phenomenon in China, and 3) arrange a Chinese song influenced by the western Flute.
Methology: The research adopts a mixed-method approach, targeting a specific group of music teachers at intermediate or higher levels with government positions in China, and a sample group of Western flute musicians residing in China with at least 5 years of experience, totaling 8 individuals. A sample size of 222 will be interviewed using semi-structured interviews and questionnaires with the overall IOC value of the questionnaire is 0.91; each item's means will range from 0.80 to 1.00, consequently. Data were collected through individual interviews and an online questionnaire using the WJX application. Analysis will involve data transcription, interpretation of interviews, and the use of descriptive statistics to determine averages.
Results: This study found that globalization has introduced diverse music formats and techniques to Chinese music, while nationalism plays a significant role in preserving traditional Chinese music. Additionally, the adaptation of Western culture in China reveals its role as a symbol of musical integration and cross-cultural between Eastern and Western musical traditions. Finally, the arrangement of the “Soring Song” masterfully blends traditional Mongolian music from “Teng Fei Song” with contemporary flute techniques, showcasing a nuanced reinterpretation of cultural elements and technical challenges while preserving cultural identity.
Discussion: The influence of Western flute on tradtional Chinese national music reflect a musical identity resulting from the fusion of traditional Chinese music with Western music through contemporary Chinese popular songs imbued with Western musical elements, showcasing China's acceptance of global globalization trends.
Suggestion: Long-term research can track the development of Western flute training in China over time, providing in-depth data on trends and evalution influences that have changed.
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