Dark Detective Novels by Prap Literary Techniques of Composing Plots and Representing Marginalized Characters

Abstract

This article aims to study the literary techniques in Prap’s dark detective novels in terms of composing plots and representation of marginalized characters. The study presents four selected novels by Prap: Kahonmahoratuk, Niratmahannop, Pret, and Lingpatkorn. The results show that although the plots of these novels adhere to the convention of dark detective novels, the consequences of criminals are challenged by the convention. This means that open-endings are found in these novels instead of the offenders facing law enforcement or death. With regard to the characters, marginalized persons are clearly illustrated in Prap’s novels through the use of two main techniques. Polarizing characters as binary oppositions through their social status and mindset is the first one; moreover, reversing the stereotype of marginalized people and creating a new image for them is another technique. In short, the ways that Prap composes his novels through the use of such types of plot and characters help to enhance his works not only for the entertainment of his readers with complicated techniques but also sending a key message related to the oppressed and disadvantaged members in Thai society at the same time.