ข้อตกลง
1. บทความทุกบทความจะได้รับการพิจารณาจากผู้ทรงคุณวุฒิ (Peer review) ที่ตรงตามสาขาวิชา โดยทุกบทความจะต้องผ่านการพิจารณาจากผู้ทรงคุณวุฒิ อย่างน้อยบทความละ 3 ท่าน
2. บทความ ข้อความ ภาพประกอบ และตารางใด ๆ ที่ตีพิมพ์ในวารสารอารยธรรมศึกษา โขง-สาละวิน เป็นความคิดเห็นส่วนตัวของผู้เขียน กองบรรณาธิการไม่จำเป็นต้องเห็นด้วยเสมอไป และไม่ใช่ความรับผิดชอบของ กองส่งเสริมศิลปวัฒนธรรม มหาวิทยาลัยนเรศวร ถือเป็นความรับผิดชอบของผู้เขียนแต่เพียงผู้เดียว
3. บทความจะต้องไม่เคยตีพิมพ์เผยแพร่ที่ใดมาก่อน และไม่อยู่ระหว่างการพิจารณาของวารสารฉบับอื่น หากตรวจสอบพบว่ามีการตีพิมพ์ซ้ำซ้อน ถือเป็นความรับผิดชอบของผู้เขียนแต่เพียงผู้เดียว
4. บทความที่ส่งถึงกองบรรณาธิการ ขอสงวนสิทธิ์จะไม่ส่งคืน
Improving the Sound Quality of Isan Long Drums
การพัฒนาคุณภาพเสียงกลองยาวอีสาน
Keywords:
improving the quality, sound quality, Isan long drumAbstract
The purposes of this research were to study the development of Northeastern long drums and to develop sound quality of Isan long drums by using qualitative research process. The data collection drew mainly on various media and interviews. The data were then analyzed to create Isan long drums. Tests were conducted to conclude the development of sound quality of Isan long drums. Regarding the development of the sound quality of Isan long drums, the findings showed that, originally, Isan long drums were created by people living in the community. They were used as musical instruments in ceremonial activities of people in the village by using materials, equipment, or tools which could be found locally. Later, there were employments of long-drum bands. This started the era of business of the employment. Then, the rhythm was developed. The beating style was from a mix of musical instruments. Later, when there was a realization of preserving, maintaining, and developing playing the Northeastern long drums, there were various competing stages with systematic rules or criteria which developed both playing and showing. The competing stages became a network and an area for people who were interested in Isan long drums so that they could meet and exchange ideas in order to improve the sound quality of Isan long drums. The researcher has developed the materials and equipment used in producing Isan long drums so that they would be consistent with the current social context, such as aesthetics, modernity, convenience, light weight, and endurance. From the test of Isan long drums which were made of 3 types of wood, including Burma padauk, Jackfruit wood, and Raintree wood, the produced Northeastern long drums had clear and resonating sound according to the ideology of improved Isan long drums. This was because the inside surface of the holes was wavy, or the grooves inside the holes created more resonating sound than smooth surface inside the holes. Moreover, the sound signal wave appearing from the test was wider and longer than the original Isan long drums which had clear and resonating sound, but the sound signal wave was not wide, and the sound signal wave was short and faded away quickly.
References
Champadaeng, S. (2018). Long drums in the culture Ways Wapipathum district Mahasarakham province. Journal of Fine and Applied Arts, 10(1), 91-109.
Chonphairote, C. (2020, August 14). Interview. Assistant Professor, College of Music, Mahasarakham University, Mahasarakham.
Intarakaew, C. (2019). Nationalism Music after Coup D’état on 22 May 2014. (Master’s Thesis). Khon Kaen University, Khon Kaen.
Phonkhet, Y. (2020, September 3). Interview. Local wisdom elite, Bunditpatanasilpa Institute, Roi-Et.
Pikulsri, C. (2017). Changes in Music. Khon Kaen: Faculty of Fine and Applied Arts, Khon Kaen University.
Piratanatsakul, K. (2020, August 30). Interview. Senior Professional Level Teachers, Kanlayanawat School, Khon Kaen Secondary Educational Service Area Office, Khon Kaen.
Prathumsint, S. (2020, August 18). Interview. National Artist, Roi-Et.
Tinnarat, H. (2020, August 18). Interview. Local wisdom elite, Khon Kaen.