“Glong-Pheln”: A Belief in the North-East Culture in Thailand and the Drumming Techniques

Abstract

This research applied the qualitative approach and employed ethnomusicology as the principle of drumming. The aims of the study were (1) to study the roles and functions of "Glong-Pheln" and (2) to study the distinctive features of the drum beating techniques of "Glong-Pheln". This research select the sample group by choosing 1 temple from each of the 20 provinces in the North-East of Thailand. The results were as follows: Glong Pheln, a large two-sided drum in the North-East, was used in the temple to tell the time, a function similar to that of a clock, in the morning, late afternoon and early evening or on special occasions such as to signal a meeting or a bad incident. In addition, the drum was used as a signal to tell travelers or people who had lost their ways that there was a community nearby. For the drumming techniques, have 4 pattern 1) “Glong Pheln” 2) “Glong Laeng” 3) “Glong Ruam” 4) “Glong Deuk” the drum could be beaten at long or short intervals, and could be played solo or accompanied by a big gong depending on the occasions.