Development of batik products Inspired by Srivijaya Identity With Batik Woodblock
Main Article Content
Abstract
This research aims to 1) design batik patterns for making wood molds, 2) develop batik products according to the Sivijaya identity. A focus group discussion was held for three experts. The instrument used was an in-depth interview with experts to assess the suitability of the patterns for use in making batik molds. The obtained data was analyzed for content and summarized according to the specified issues. The sample group used to survey the demand for batik product development was 30 consumers using purposive sampling the results were processed and analyzed to find percentage values. Set the criteria for selecting the sample group, the instrument used is a questionnaire, and the obtained data is processed for analysis to find the percentage of respondents.
The research results showed that the patterns that appear according to the Srivijaya identity have 2 identities. Architectural identity and artistic identity, they have applied 9 new patterns. There are two patterns suitable for making batik molds: pattern number 6 from the pediment inside the Phra Borommathat Chaiya (Chaiya Pagoda) and pattern number 7 from the head ornament of Bodhisattva Avalokiteshvara. The wood used to make the mold is ironwood. It is a wood from the plains of the southern region of Thailand. The molds used to create patterns on batik fabric using wax printing techniques with molds and color printing techniques with molds were developed into two product prototype sets consisting of a dress for women and a shirt for men, as well as a shoulder bag.
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
References
Chaiyabun, T. (2020). Batik linethian natural color group. Interview, 3 November 2020. (in thai)
Kaewareelap, S. & Kritsanapan, P. (2018). The process of creating a batik collection. e-Journal Silpakorn Social Sciences, Humanities, and Arts, 11(3), 3245-3260. (in thai)
Khunthon, A. (2020). Kiriwong Natural Tie Dye Batik group. Interview, 3 November 2020. (in thai)
Isama, A. & Chaisart, S. (2015). Development of batik art patterns in three southern provinces of Thailand. (Master of Fine Arts). Rajamangala University of Technology Srivijaya, Faculty of Architecture, Program in Fashion and Textile Design. (in thai)
Nakhon Si Thammarat Provincial Tourism and Sports Office. (2018). Nakhon Si Thammarat moves forward to promote the city of batik. Retrieved 2020, November 4, from http://nakhonsri.mots.go.th.
Rattanapan, T., Ngeinthawro, S. & Sittirak, P. (2024). The analysis of Srivijaya art pattenrns besed on Srivijaya identities for applied new patterns. Academic Journal for the Humanities and Social Sciences Dhonburi Rajabhat University, 7(1), A57-A71. (in thai)
Sangiam, P. (2014). Ornament Design. Faculty of Humanities and Social Sciences Phuket Rajabhat University: n.p. (in thai)
Sitthiwang, N. & Sitthiwang, K. (2019). Patterns in Srivijaya art: application format. Parichat Journal Thaksin University, 32(1), 117-131. (in thai)
Suwansri, R. (2019). Study Srivijaya art to design unique patterns for gold nielloware products. Journal of fine art research and applied arts, 6(1), 185-217. (in thai)
Thongkiao, J. (2020). Batik khao Chaloem Phrakiat group. Interview, 3 November 2020. (in thai)
Tonyalae, T. & Benso, S. (2020). Creating batik patterns and products for the public through the way of the old city of Songkhla. (Master of Fine Arts). Rajamangala University of Technology Srivijaya, Faculty of Architecture, Program in Fashion and Textile Design. (in thai)