การถ่ายทอด และเรียบเรียงบทเพลงเชียงรายรำลึก ในรูปแบบดนตรีแจ๊ส (PERFORMANCE AND ARRANGEMENT OF MEMORY OF CHIANG RAI SONG IN JAZZ )
Keywords:
Arrangemen, Memory of Chiang Rai, Small Jazz EnsembleAbstract
The main objective of this creative research was to communicate and arrange the Memory of Chiang Rai song in the form of a jazz band. The communication of Memory of Chiang Rai employed the jazz music theory in rhythmic arrangement, form arrangement, and chorus arrangement to enhance attractiveness of the song that contributes more complicated aspect of the chorus. However, the researcher still maintained the ABAB style, which is the original form of the song. In addition, the original opera mark was modified from 3/4 to 4/4 in the new rhythmic arrangement and the rhythm of the original note group, which used the repeated 4-syllable rhythmic style in operating the melody of the original composition, was modified to using a variety of rhythms to perform the main melody while maintaining the original characteristics of the song composition.
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[2] โกวิท เกิดศิริ. (2559, 17 พฤษภาคม). ผู้แต่งเพลงเชียงรายรำลึก. สัมภาษณ์โดยพุทธพร ลี้วิเศษ (บทสัมภาษณ์).
[3] Levine, Mark. (1995). The Jazz Theory Book. Petluma, CA: Sher Music.
[4] เด่น อยู่ประเสริฐ. (2553). โครงสร้างของดนตรีแจ๊ส (Jazz Structure). วารสารดนตรีรังสิต. 5(1), 31-42.
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